Composition
Camera
Lighting
Editing
Lenses
100

This technique divides your screen into a 3x3 grid. It creates more dynamic and pleasing compositions. 

RULE OF THIRDS

100

This curved piece of glass is a camera's equivalent to the human eye. It's distance is measured in millimeters.

LENS

100

Also known as "drawing with light".

PHOTOGRAPHY

100

A transition where one shot is instantly followed by another.

CUT

100
A lens allowing a camera to change smoothly from a long shot to a close-up or vice versa by varying the focal length.


ZOOM LENS

200

The quality of being made up of exactly similar parts facing each other or around an axis. With it, both sides of the image look the same.

SYMMETRY

200

This theory is based on the relationship between ISO, Shutter Speed and Aperture. It's name is based on a geometric shape.

EXPOSURE TRIANGLE

200
A traditional method for illuminating a subject with sources from three distinct positions.

THREE POINT LIGHTING

200

When a new scene carries over or matches elements from the preceding scene.

MATCH CUT

200

The lens with the closest field view to our own human eyes.

50mm lens

300

They lead the viewer’s eye from one direction to another, drawing their attention to specific points in a frame.

LEADING LINES


300

This camera setting affects two things: lighting and movement. The lower the number, the more blurry the movement.

SHUTTER SPEED OR SHUTTER ANGLE

300

Measured through the Kelvin Scale, this term describes the color of a visible light source. 

LIGHT TEMPERATURE

300

A mental effect in which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.

KULESHOV EFFECT

300

A 200mm is an example of this kind of lens, that yields a magnified image, narrower field of view and compresses the distance between foreground and background.

LONG or TELEPHOTO

400

The variation between light and dark in an image. The higher the effect, the more intense the colors, highlights and shadows are in a photo.

CONTRAST

400

f/1.8, f/4.0 and f/8.0 are all examples of this camera setting.

APERTURE

400

Diffused lighting that illuminates the subject with a gradual transition between light and shadow, not a harsh one.

SOFT LIGHTING

400

When a movie puts together a series of shots and moments together into one scene.

MONTAGE

400

The optical distance (usually measured in mm) from the point where the light meets inside the lens to the camera's sensor.

FOCAL DISTANCE

500

The size of the area in your image where objects appear acceptably sharp. It is typically described as "shallow" or "deep". 

DEPTH OF FIELD

500

A lens with a focal distance of 14mm is also known as:

WIDE ANGLE LENS or EXTREME WIDE ANGLE LENS

500

A supplementary light that does not change the character of the key light and is used to lighten shadows.

FILL LIGHT
500

The area of an editing software where you arrange your video clips and map out the edits you want to apply. 

TIMELINE

500

This kind of lens tends to distort an image, especially when doing close-ups with people or objects

EXTREME WIDE ANGLE OR FISHEYE LENS

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