Composers
Historical Context
Genre
Musical Terms
Misc.
100

The leading composer of Latin oratorios was:

Giacomo Carissimi

100

The Paris journal Mercure Gallant referred to the following composer and performer as "the marvel of our century":

Elisabeth-Claude Jacquet de la Guerre

100

What musical genre, prominent in the Lutheran tradition, consisted of musical settings based on biblical narratives?

Historia

100

A sacred composition with one or more soloists accompanied by organ continuo and often one or two violins was known as a:

Sacred Concerto 

100

What was the first volume of sacred music printed with basso continuo?

Cento concerti ecclesiastici

200

Which composer served as a teacher, composer, conductor, and superintendent of musical instruments at the Pio Ospedale della Pietà from 1703 to 1740?

Vivaldi

200

Which collection did Bach compile to demonstrate the possibilities of playing in all keys in nearly equal temperament?

The Well-Tempered Clavier

200

The most common instrumentation in the late seventeenth century for both church and chamber sonatas was:


two treble instruments with continuo

200

The majority of seventeenth-century French dances are in the following form:

Binary form

200

 What collection by Heinrich Schütz contains concerted Latin motets for various small combinations of voices and instruments?


Symphoniae sacrae

300

The best-known composer of the early eighteenth century was:

Vivaldi

300

The Concert spirituel, a public concert series established in 1725, was held in:

Paris

300

By the end of the seventeenth century, the following term was used to refer to compositions in imitative counterpoint:

Fugue (before it was ricercare!)

300

Extended episodes that appeared at the center or the conclusion of each act of seventeenth-century French operas were known as:

Divertissements

300

 The following French dance, which originated in the British Isles, was usually composed in a compound meter with wide melodic leaps and lively triplets:

Gigue

400

A musical interlude on a pastoral, allegorical, or mythological subject performed between acts of a play is a:

Intermezzo

400

What opera established Rameau as a composer?

Hippolyte et Aricie

400

The form of the French Overture typically consists of:

two sections, each repeated

400

Who criticized Claudio Monteverdi's madrigal "Cruda Amarilli" for needlessly breaking the rules of counterpoint?

Giovanni Maria Artusi

400

What was the only major musical genre of the eighteenth century in which Bach did not compose?

Opera

500

The concitato genre, a style characterized by rapid reiteration of a single note, was devised by:

Monteverdi

500

 The use of bar lines to demarcate measures first occurred in the:


mid-seventeenth century

500

An Anglican musical form that consists of music for portions of Morning Prayer, Holy Communion, and Evening Prayer was called a(n):

A Service

500

The majority of Corelli's church sonatas consist of ___ movements.

4

500

Handel's most important innovation in the oratorio is his heightened use of the:

Chorus

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