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What is the logic of classic cinema
&
How exactly does art cinema define itself against the classical narrative mode?
Classic Cinema...
- Cause-effect logic
- Narrative form motivates cinematic representation
- “Narrative time and space are constructed to represent the cause-effect chain” (Bordwell, “The Art Cinema as a Mode of Film Practice”, 95).
Art cinema: “… linkages become looser, more tenuous in the art film (cause-effect linkage of events)."
Vera Chytilová studied at____ film school where she ”was strongly influenced by the fashion of ________” (Peter Hames 207).
FAMU
cinema vérité
Low budget filmmaking committed to Academy 35mm,(but many shot on digital) in the post cold war era.
Dogme 95
What is banlieue cinema as defined by Alan O’Leary?
(from Prof Greene) buildings built on the city outskirts developed into a place where folks from former french colonies lived. symptomatic of the post-colonial era and conditions.
Cinema or a film that “presciently anticipates postcolonial conditions on the territory of France itself.”(17).
And
“a version of social problem cinema” (25)
“typically employs a realist aesthetic that presents the ‘alienating architecture’ of the housing estates to figure the marginalization of its young male protagonists. However, in this cinema, the meaning of the balieue itself cannot be reduced solely to alienation because it also ‘remained the only real space of community and belonging’”. (25)
Name the exact year and document that was calling for a revival of German Cinema in the 1960's.
Called for a film free from the conventions of an established industry. Calling on folks to take economic risks and separate themselves from the control of special interest groups.
Oberhausen Manifesto (1962)
what is the term for the trend towards filmed literature in the mid 1970s
Gremienfilm
Name the two founders of Dogme 95 and the year it was founded
Lars von trier and Thomas Vinterberg
1995
Name the director (last name is fine) of each of these films
Cléo from 5 to 7 (1962)
The Battle of Algiers (1966)
Ivan’s Childhood (1961)
Daisies (1966)
The Marriage of Maria Braun (1979) Underground (1995)
Atlantics (2019)
Cléo from 5 to 7 (Varda,1962)
The Battle of Algiers (Pontecorvo, 1966)
Ivan’s Childhood (Tarkovsky,1961)
Daisies (Chytilová, 1966)
The Marriage of Maria Braun (Fassbinder, 1979) Underground (Kusturica, 1995)
Atlantics (Diop, 2019)
Name 4 tenets of Dogme 95
"shooting must be done on location. Props and sets must not be brought in..."- "the sound must never be produced apart from the images or vice versa" - "the camera must be hand-held" "film must be in colour. Special lighting is not acceptable"