Literary Works and Religions
Languages and Heroes
Cultural/Historical
Authors and Characters
Devices and Genres
Government and Years
100

Even though Christ was born and died in this era, the people, particularly of Greece and Rome, were polytheistic. 

Classical

100

Early Modern English, the language of Shakespeare, was the language of this era. 

The Renaissance

100

This pestilence hit the Middle Ages hard, and it was featured in some of the works we read.

The Black Plague

100

This epic hero was not afraid to boast of his successes and fight Grendel with his bare hands.

Beowulf

100

This number is repeated a lot in medieval stories as an homage to the belief in the trinity.

3

100

When the Roman empire withdrew from England, it was the perfect time for this group to arrive from Scandinavia and begin ruling the land. 

Anglo-Saxons

200

This text we read has hints of both paganism and Christianity, marking the shift from polytheism to monotheism

Beowulf

200

This is the language that Beowulf was originally composed in.

Old English

200

We did a recreation of this special place in Anglo-Saxon culture--a location of safety, entertainment, and community.

mead hall

200

This character was punished because she chose to follow her religion over her uncle's law.

Antigone

200

This descriptive short phrase or nickname was common in Anglo-Saxon poetry.

kenning

200

This Queen of the Renaissance was a huge supporter of theatre and art, so much so that the era is often named after her as well. 

Elizabeth I

300

In this era, church and state were completely unified through the feudal system of government.

Medieval

300

This was the language that Chaucer and medieval English writers wrote in.

Middle English

300

Johannes Gutenberg invented this, which allowed books and knowledge to be spread at a much faster rate. 

The printing press

300

This nephew of Arthur had to go on a chivalric quest in a battle against magical forces. 

Sir Gawain

300

"Fire hardens ice" is an example of this literary device

paradox

300

This Renaissance king, in an attempt to divorce his wife, started the Anglican Church with its own set of morals and laws.

Henry VIII

400

This attempt to blend classical philosophy with Christian teachings emerged in the Renaissance.

Humanism

400

Reflecting his culture's values, even that of boasting, Beowulf was this sort of hero. 

Epic hero

400

This tax book of William the Conqueror made Anglo-Saxon taxpayers really feel like it was the end of the world.

Domesday Book

400

This playwright, often confused with Socrates, is the author of the three Theban plays. 

Sophocles

400

These stories with non-tragic endings were written in the languages of the people rather than Latin.

comedies

400

In tenth grade you read Macbeth, a play where the kingship was up for grabs. After all, it was common in this era to elect kings based on their courage in warfare rather than their lineage. 

Anglo-Saxon

500

In Shakespeare's sonnets, this often occurs around the start of the third quatrain. 

volte/turn

500

While Antigone was a tragic hero, Gawain was this type of hero. 

Medieval romance

500

This Renaissance king sponsored an English translation of the Bible. 

James I

500

This London author also fought in the Hundred Years War.

Geoffrey Chaucer

500

Divided up by strophes and antistrophes rather than scenes and acts, Greek plays are laid out using this. 

Choral structure

500

In this very important year, William the Conqueror defeated the last Anglo-Saxon king and ushered in the feudal system to England.

1066

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