Formal Elements
Cause of Transition
Life of Jesus in Art
14th-century Italian Art
Miscellaneous
100
A term relating to color.

Saturation 

100

Natural Hazard that lead to transition

Flooding

100
Betrays Jesus leading to his arrest

Judas

100

The Meaning of Renaissance

Rebirth

100

Symbolized by Doves

Spirit of God

200

Suggested by vertical or diagonal lines.

Movement
200

Disease that greatly impacted Europe in the 14th century

The Black Death

200

The beginning of Jesus' public ministry

Baptism

200

Birthplace of the Renaissance

Florence, Italy

200

Madonna Enthroned depicts

The Virgin Mary seated upon a throne, holding the baby Jesus in her lap

300
A line that is implied rather than depicted

Sight Lines

300

Religious change that lead to transition.

Great Schism from 1378-1417 (two popes)

300

Visits the Virgin Mary and announces her miraculous conception. 

Archangel Gabriel

300

Difference in Florentine and Sienese Art

Sienese more like French court gothic with a decorative richness, while Florentine art focused on naturalism. 

300

Florence's rival city

Siena

400

Seven principles of Art

1. Line

2. Shape

3. Color

4. Light

5. Texture

6. Composition

7. Form

400

Social Changes leading to Transition

government, commerce, religious practice, and patronage

400

Cycles of the life of Jesus

Incarnation and Childhood, Public Ministry, and Passion.

400
Artist who is credited for transforming the art of painting in 14th-century Italy?

Giotto

400

Identifiable feature of the St. Francis of Assisi altarpiece as Byzantine art

no spatial depth; flat.

500

The Properties of Art

Form, Content, Medium, and Style

500

Revived during the Renaissance

Classical Values (Humanism: Latin classics, Roman civic virtues, Reason/Rationale)

500

Lamentation in the context of Christianity

The passionate grief suffered by Christ's mother and his disciples. 

500
Visual Qualities of Renaissance Art

Interest in Illusionism, Pictorial solidarity, spatial depth, and emotion in human figures

500

Mode of representation of an object with symmetry, proportion, and no flaws

Idealism

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