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100

work of art formed from the combination of more than one medium, often an unusual combination of seemingly unrelated materials such as wood, clay, paint, and fabric.

Mixed media

100

a black, white, and gray painting or a drawing made in a single color.

Monochrome

100

element(s) repeated often enough in a composition to become a dominant feature

Motif

100

the term is often used synonymously with realism, but naturalism represents a more objective, less interpretative/subjective approach that mimics nature as closely as possible

Naturalism

100

style of painting or drawing in which the image is created from the imagination and bears little resemblance to the natural or realistic form of the subject.

Nonrepresentational art

200

line that shows or reveals the outer edge of a shape or form.

Outline

200

technique in which one shape or part covers some part or all of another. Since __________ objects appear closer, this is a perspective technique used to show distance in artworks.

Overlapping

200

imaginary route the eyes follow when one is viewing a work of art. It usually begins at the bottom edge, moves clockwise, and ends at the center of interest.

Path of vision

200

repetition of shapes, lines, or colors in a design.

Pattern

200

the act of recording information directly from observation.

Perceptual drawing

300

representation, of a three-dimensional object on a flat, two-dimensional surface. It is achieved by creating the illusion of depth and distance. The two types of _____________ are linear and atmospheric.

Perspective

300

the actual flat surface on which an artist creates a picture.

Picture Plane

300

a general term for any flat surface.

Plane

300

drawing based on stored visual concepts that facilitate recognition of objects but often prevent accurate perception of familiar objects

Preperceptual drawing

300

the comparison of a part to the whole object; especially in analysis of the figure. The
comparison of elements one to another in terms of their properties of size, quantity, and degree of
emphasis within a composition.

Proportion

400

style of painting and drawing that depicts the subject as it appears.

Representational

400

ratio of the size of parts in a drawing or artwork to their size in the original. If a picture is drawn to
scale, all of its parts are equally smaller or larger than the original

Scale

400

ratio of the size of parts in a drawing or artwork to their size in the original. If a picture is drawn to
scale, all of its parts are equally smaller or larger than the original

Shading

400

a simple, quick, rough drawing done without a lot of detail but catching the chief feature and a
general impression of an object or scene

Sketch

400

the quality of having bulk and being three-dimensional. Shading and texture show the solidity of
an object in a drawing or painting

Solidity

500

drawing or painting of an arrangement of nonmoving, nonliving objects, such as fruit, flowers, or bottles. The arrangement is usually set indoors and contains at least one manufactured object, such as a vase or bowl.

Still life

500

artistic technique or a way of expressing, using materials, constructing, or designing characteristic of
an individual, group, period, or culture.

Style

500

figures or objects in a work of art that are not represented naturally but are designed to conform to
a particular pattern or artistic approach

Stylize

500

something that stands for something else, especially a letter, figure, or sign that represents a real object or an idea.

Symbol

500

the way an artist uses tools and media.

Technique

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