Cinematic Language
Development
Pre-production
Production
Cinematic Language
100

The greatest tool you have as a filmmaker. 

You

100

Both a literary manuscript, conveying the dramatic story for a reader, and a technical document
that anticipates the logistics of the production.

Screenplay

100

A list of all the shots that

make up the film in the order in

which they will be shot.





Shot list

100

What is sightline? 

The direction the character is looking.



100

What is a sequence? 

A sequence is an expressive unit made up of editing together multiple shots to define a unified action or event, or passage of time and place.





200

A term derived from a French
theatrical phrase which means
“put on stage”

M I S E - E N - S C È N E

200

The 4 usual story elements, in order...

Exposition

Conflict

Climax 

Resolution

200

The version of the screenplay you take into production, meaning it is the script from which your creative team will work and from which the film will be shot.




Shooting script 

200

What is screen direction? 

The direction the character travels in the frame.



200

What is Continuity-style shooting and editing? 

Continuity-style shooting and editing is a system that assures us that individual shots, when cut together, will give us the illusion of smooth and continuous time, movement, and space, regardless of the order those shots were taken.



300

Coverage

Shooting a scene from various angles, and duplicating actions in more than one angle.

300

What screenwriting software can you get for free as a student for 18 weeks? 

Final Draft

300

Essential pre-visualization tool worked out and simultaneously with the development of the shooting script.

Basically drawings of each scene from a bird's eye perspective; help figure out important details like the axis of action, camera placement, and character blocking (the movement of your characters in the space).



Overheads

300


Lighting crew completes their rigging, focusing, gelling and controlling all light sources.

The DP and AC take light readings to make sure that lighting, exposures and focus (and depth of field) are in line with the visual strategy of pre-production.

The camera department will rough in marks for pulling focus. The DP may ask an actor or stand-in to stand here or there or walk through the blocking again.



Setup

300

A term used when you move the camera in
order to follow or track a subject.

Tracking

400

Emphasizes the two-dimensional
screen surface.

Flat space

400

A very brief outline of the basic elements involved in your story.

It describes, in no more than a few sentences,

the essential dramatic engine that will drive

the movie.



Concept

400

Drawings of shots, arranged on paper, in the order they appear in a sequence.

Storyboard

400

What is blocking? 

The coordination of the movements of the

actors in the scene.

• Entrances

• Exits



400

A specific combination of deep and flat space cues.



Limited space 

500

Shots that are generally moving shots in
which the camera moves closer or farther
away from the subject.

Dolly 

500

A dramatic event in which the action, decisions, or revelations of that moment move the plot
forward either by intensifying it or by sending it in a new direction.

Narrative beat

500

What are the 2 kinds of camera moves (generally) that should be compared and discussed in pre-production? 

Stationary and Dynamic

500

What is the difference between physical and compositional frame?

Physical frame is each, individual, still image captured on film or in video, which when projected as a series, creates the illusion of motion.

Compositional frame is a two-dimensional space defined by its horizontal and vertical dimensions.



500

When the viewer is unable to understand the actual size or spatial relationship of objects in the picture.




Ambiguous space 

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