Lamb to the Slaughter
Thank you Ma'am
Do People Really Change
Vocab
Vocab 2
100

The ending of Lamb to the Slaughter is an example of this literary device 

What is Dramatic Irony 

100

Roger wanted the money from Mrs. Washington's pocket book to buy this 

What is Blue Suede Shoes

100

The amount of Big Traits that people have

5

100

the complete loss or absence of hope

despair

100

something that is carried

Burden


200
Patrick Maloney's job

Police Officer 

200

'a large purse that had everything in it but hammer and nails' is this kind of literary device

What is hyperbole 

200

This trait describes how responsible you are

What is conscientiousness 

200

unwilling and hesitant

reluctant 

200

the state or quality of being worthy of honour or respect

dignity 

300

The name of the grocer 

Sam

300

Mrs. Washington works at this job

What is beauty shop / hair dresser

300

This trait describes how friendly, outgoing, and enthusiastic you are

What is extroversion

300

the beliefs or opinions that are generally held about someone or something

reputation 

300

a distinguishing quality or characteristic, especially one belonging to a person

Trait

400

On this day of the week, Mr and Mrs. Maloney usually eat out

What is Thursday

400

Roger tries to say this polite form to call a woman at the end of the story; signifying his change in character

What is Ma'am

400

Harry Potter has high levels of this trait

What is openness to experience

400

change in the form, nature, or appearance of

transform 

400

exaggerated statements or claims not meant to be taken literally

hyperbole

500

This place was the location of Mrs. Maloney's alibi

The grocery store

500

The author of Thank you Ma'am

Who is Langston Hughes

500

Scientists agree that we do this over time, becoming more agreeable with others

What is mature

500

the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect

verbal irony

500

words or expressions in ways that change from their literal meaning to create more vivid, imaginative, or impactful effects in writing

figurative language

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