POINT & LINE
GESTALT
SHAPE & FORM
TEXTURE & PATTERN
PRINCIPLES OF DESIGN
100

What is the smallest basic visual element in design?

A point.

100

Which Gestalt principle says objects placed close together appear to belong together?

Proximity.

100

What is the main difference between a shape and a form?

A shape is 2D; a form appears or is 3D.

100

What is texture in design?

The visual or tactile surface quality of an object or design.

100

What principle makes one part of a design attract attention first?

Emphasis.

200

What visual element is created when a point moves across a surface?

A line.

200

Which Gestalt principle groups objects because they look alike?

Similarity.

200

Give one example of a geometric shape and one example of an organic shape.

geometric—circle, square, triangle; organic—leaf-like, irregular/natural shape.

200

What is a pattern?

A repeated visual element.

200

What principle describes the distribution of visual weight in a composition?

Balance.

300

Name TWO feelings or ideas that diagonal lines can communicate.

movement, energy, action, excitement, instability.

300

Which Gestalt principle involves seeing a subject and its background as two competing visual areas?

Figure-ground.

300

What are three dimensions associated with form?

Height, width, and depth.

300

What is the difference between actual texture and visual texture?

Actual texture can physically be felt; visual texture only appears to have texture.

300

What principle is created when visual elements are repeated?

Repetition; rhythm may also be discussed.

400

Draw three different line types and explain how each could create a different mood.

Students should connect line qualities to mood.

400

A website shows five identical blue buttons together and one red button. Which idea could make the red button stand out, and why?

Similarity/difference can make the red button stand out; Yoi may also connect this to emphasis.

400

How can a designer make a flat circle look like a 3D sphere?

shading, highlights, shadows, gradients, value changes.

400

Why might a designer use texture in a digital poster even though the viewer cannot physically touch it?

To create visual interest, realism, mood, depth, or a particular style.

400

A poster has a very large title, a medium image, and small body text. Which principle helps organize these levels of importance?

Hierarchy.

500

DESIGN CHALLENGE: Create a tiny composition using ONLY points and lines that communicates “chaos.” Explain two choices you made.

Look for intentional use of direction, density, repetition, size, or overlapping.

500

DESIGN CHALLENGE: Sketch a simple logo or symbol that demonstrates figure-ground. Explain what viewers should see first and second.

the positive and negative spaces should intentionally create readable imagery.

500

DESIGN CHALLENGE: Turn a simple 2D shape into a form. Then explain which visual clues make it look 3D.

 look for shading, value, perspective, highlights, and/or shadows.

500

DESIGN CHALLENGE: Create a repeating pattern using only three simple shapes. What must stay consistent for viewers to recognize the repetition?

repeated motif, spacing, direction, scale, or sequence should be consistent.

500

DESIGN CHALLENGE: Explain how a designer could use at least THREE principles of design in one concert poster.

emphasis, balance, contrast, hierarchy, repetition/rhythm, unity, movement, etc.

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