Greek Music
Musical Instruments
Medieval Music
Listening
Miscellaneous
100

The word “music” comes from these 9 goddesses of art, music, and creativity.

Muses

100

This instrument consisted of two pipes and produced a low, clarinet-like sound.

Aulos

100

Invaders from the North and little education were two reasons the Middle Ages were known as this.

The Dark Ages

100

The greek funeral song, Epitaph of Seikilos, was written on this.

a marble tombstone (or stele)

100

This god is often pictures playing a lyre.

Apollo

200

He discovered the relationship between vibrations and pitch.

Pythagoras

200

This instrument was named after a satyr (half-goat, half-man)

Pan pipes

200

Another name for Gregorian Chant.

Plain Chant

200

Both the Sanctus/Benedictus and the Agnus Dei are in this language.

Latin

200

 Music of the Church.

Sacred

300

Name 3 places music was used in Greek society.

  • Marriages

  • Funerals

  • Religious ceremonies

  • Staged dramas

  • Folk music

  • Epic poetry

  • Olympic and Pythian games

300

This instrument was stringed and made out of a tortoise shell.

Lyre

300

Kyrie, Santus/Benedictus, and Agnus Dei are all part of this type of Church service.

Parts of the Mass or liturgy 

300

The title of the play in which we heard a Greek tragedy chorus.

Orestes

300

Chant with many notes on one syllable.

melismatic chant

400

These scales represented different emotions.

Modes or Modal Scales

400

This instrument used water to create air pressure.

Hydraulis 

400

This man was famous for codifying Gregorian Chant

Pope Gregory I

400

Perotin and Leonin were the first composer to write this kind of sacred music.

Organum or polyphonic music

400

The language of the people and what secular music in the Middle Ages was written in.

vernacular

500

Name 2 things we use to determine was Greek music sounded like.

  • Greek musical notation as well as drawings and paintings of music being performed

500

This instrument used a plectrum to pluck the strings.

Kithara

500

This man added 2 lines to create a 4 line staff as well as creating today’s solfege.

Guido of Arrezo

500

The first female composer

Hildegard of Bingen

500

Poet-musicians who worked for the courts of lords and king.  Both words mean “composer”.

Troubadours and/or Trouveres

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