Archaic
Classical
Miscellaneous
Hellenistic
Architicture
100

This feature in sculptures of the human form is a hallmark of the work of the Archaic era.

The Archaic smile

100

The body posture that is typified by the balance of tension and relaxation

Contrapposto

100
An oven used for making pottery
Kiln
100

This event is seen as the start of the Hellenistic era in Greece.

The death of Alexander the Great

100

Name the Greek orders

Doric, Ionic and Corinthian

200

Originally thought to be a traditional Greek woman, this sculpture has been reinterpreted as the Goddess of the Hunt

Peplos Kore

200

This relief work exemplifies the Phidian aesthetic of wet drapery on the female human form, although it was not sculpted by Phidias. It also shows the Greek interest in depicting the body in positions of imbalance.

Nike Adjusting Her Sandal

200
The main room of a Greek temple where the god is housed
Cella
200

This work typifies Hellenistic Greek sculpture, showing intricate drapery on a female form as well as a dramatic scene that relies on both the content and the location.

Nike of Samothrace

200

This Doric Peripteral temple dedicated to Athena has Ionic elements inside the Doric facade

Parthenon

300

This sculpture borrows its form heavily from Egyptian pharaonic sculptures like Menkaure and his Queen

Kouros

300

Sculpture in the round with the action designed to fit within a triangular structure

Pedimentary sculpture

300
The triangular top of a temple that contains sculpture
Pediment
300

Athena defeating Alkyoneos is part of the high relief frieze on the Altar of Zeus at Pergamon.  It is part of this larger story symbolizing order versus chaos.

Gigantomachy

300

The first Ionic temple; built in amphiprostyle

Temple of Athena Nike

400

A gathering place in ancient Greece that was the center of society and the economy

Agora

400

This sculptor codified the Greek Canon in his writings and created Doryphoros, the pinnacle of the development of Contrapposto

Polykleitos

400

Depicting an elite Greek woman receiving a necklace from her servant, the Grave Stele of Hegeso borrows its visuals from this Ancient Near Eastern work

The Law Code Stele of Hammurabi

400

In the mid 4th C. BCE, Aristotle codified these three rhetorical devices.  

One of these devices is visually apparent in most Hellenistic Greek art.

Ethos, Pathos, Logos

400

Placed on an elevated platform up a dramatic flight of stairs, this structure has a frieze 7.5 feet high and over 400 feet long showing the defeat of the Giants by the Gods

Pergamon Altar

500

Similar to other ancient cultures, Greek art used themes of polytheism.  However, unlike other cultures, Greeks also focused on this theme, which highlighted the governmental structure and role of the individual in Greek society.

Civic Ideals

500

The event depicted in the internal ionic frieze on the Parthenon

Panathenaean Procession

500

The Niobid Krater is executed in this Greek technique that allowed for more detail than the previous technique used during the Archaic Period

Red Figure

500

In reaction to the slow decline of the Greek civilization, artworks showed an increase in this.

Possible answers: Emotion, Dynamism, Intensity

500

This asymmetrical ionic temple marks the spot where Athena and Poseidon competed to be patrons of the city of Athens

The Erechtheion

M
e
n
u