Composers & Trinity
Grandfather of Carnatic Music," systematized graded exercises such as sarali varisai and jantai varisai.
Purandara Dasa
What is the 22nd melakartha
Karaharapriya
This melakartha number corresponds to Todi
What is 8
This tala has a language and two drug hams commonly used in concerts
Adi talam
Improvisation of Swaras while resolving to a target phrase in the composition
Kalpana swarams
Among the Carnatic Trinity, this composer composed the Pancharatna Kritis in Telugu.
St. Tyagarja
the ghana raga of the first krithi jagadananda in the pancharatna krithi
what is Naatai
Expand the notes r g m p d and n
Rishabham gandharam madhyamam panchapman daivatham and nishadam
Kanda Jasti triputa talam has this many counts
9
The exploration of a raga without a rythym which typically precedes a krithi
Raga alapana
This composer created the Kamalamba Navavarna Kritis dedicated to Sri Chakra worship.
Dikshitar
This raga omits the notes m and n in the arohanam
What is Mohan am
This term refers to the note that the raga revolves around mostly
Jiva swara
This mathematical technique involves shifting the perceived starting note while maintains the tala cycle
graha bedlam
the acronym RTP stands for the major improvisational composition
Ragam Ganam pallavi
Who was the Trinity composer to compose three Swarajathis
syama Sastri
this 65 th Melaka radha with prati mandayam am is famous through Nidhi sala sukhama
Kalyani
This classification divides the 72 melakartha into 12 groups of 6
Chakras
In a tani avartahanam this concluding rhythmicpattern precedes the return of the krithi
Korvai
This technique changes the tone while preserving interval relationship yielding another raga
Graha bedham
what is Papanasam Sivan’s mudra
Ramadasa
This Ramji raga often referred to as the ’Queen of ragas’ Is often the central piece with elaborate alapana and tana presentations
Bhairavi
This concept describes a phrase that uniquely identifies a raga
Prayoga
This laya concept refers to rendering to the same composition in multiple speeds while maintaining tala alignment
Trikalam
in RTP this echoing provided rhythmic pulsation without percussion , which precedes the pallavi
Tanam