secondary dominants
related II chords
modal interchange
available tensions
potent potables
100

This chord is the V7/V in the key of Ab

What is Bb7?

100

This chord is the related II of the V7/IV in the key of Ab major

What is Eb-7?

100

This chord is the IV-7 in the key of Db

What is Gb-?

100

These 2 tensions are available on diatonic I, IV, and V chords in a major key

What are 9 and 13?

100

Depending on context, this chord can be either the V-7 (MI) or the related II of V7/IV in the key of D

What is A-7?

200

G#7 is V7/III- in this major key

What is A major?

200

D-7b5 is the related II of this chord in the key of Eb major (name the chord symbol and function).

What is G7 (V7/VI-)?

200
bIImaj7 is sourced from this mode

What is Phyrgian?

200

Available tensions on secondary dominants are drawn from what source

 What is from the key of the song/piece of music?

200

In the key of Bb major, this note can function both as the leading tone of the relative minor or, spelled a different way, the most common modal interchange note.

What is F#/Gb?

300

The chord progression E7 -> A- is a sec. dom. in these otherwise diatonic major key situations: V7/II- in G, V7/VI- in C, and...

What is V7/III- in F?

300

The related II can be a II-7b5 in these 2 situations (disregarding rule #3, 'whenever you feel like it'). 

What are 1) when the b5 of the related II is diatonic to the key, and 2) when the target chord of the related V7 is a minor chord?

300

This is the most commonly used chord function of a modal interchange chord

What is subdominant?

300

Available tensions on modal interchange chords are drawn from this source

What is their modal source (not on the major tonality to which they are being applied)?

300

This is the difference between modal interchange and transposition.

What is the retention of the tonal center?

400

the 5 secondary dominants in the key of Gb are: Bb7, Ab7,  Eb7, and theses two chords.

What are Gb7 and F7?

400

In the key of E, this is the related II-7 of the V7/II and this is it's Roman numeral analysis.

What is G#-7, bracketed with C#7 and labeled as III-7 (dual function)?

400

V-7 can be sourced from these 3 different parallel modes.

What are Aeolian, Dorian, and Mixolydian?

400

***DAILY DOUBLE***

In a major key, V7/III- has these 3 available tensions

What are b9, #9, and b13?

400

These secondary dominants have 11ths as available tensions.

What are none of them?

500

This is the non-diatonic note in the V7/bVI in the key of Ab-.

What is Bbb?

500

In the key of C#-, this is the related II-7b5 of the V7/IV- and this is it's Roman numeral analysis.

What is G#-7b5, and no roman numeral, just the bracket (the bracket is the analysis)?

500

These 2 common modal interchange chords are sourced from the melodic minor scale built from the 4th scale degree.

What are IV-maj7 and bVII7(9,#11,13)?

500

In B minor, these are notes and numerals of the available tensions of V7/V

What are D (b9), E (#9), A (b13)?

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