Characters
Devices
Themes
Context
Authorial Intent
100

What name is Gutjuk given while living at the mission?

Tommy 

100

What recurring animal is connected to Gutjuk?

The Hawk 

100

What theme is explored through Gutjuk's movement from “Tommy” back towards Gutjuk?

Identity and Belonging

100

What name is given to the conflicts between First Nations peoples and European settlers across colonial Australia?

The Frontier Wars 

100

Why does Johnson show Yolngu life and culture before the opening massacre?

To establish the richness of Yolngu family, culture and connection to Country so colonisation is understood as the destruction of an existing society rather than the creation of one.

200

Which character represents colonial authority and helps conceal the opening massacre?

Moran 

200

What device does Johnson use by beginning and ending the film with similar imagery of Country?

Circular ending/Bookending. 

200

What theme is explored through Travis' guilt over the massacre and his later attempts to protect Gutjuk?

Morality, guilt and redemption

200

What colonial concept treated Australia as land belonging to no one?

Terra Nullius 

200

Why does Johnson present Country as more than simply a backdrop?

To establish Country as living, spiritual, enduring and inseparable from Indigenous identity

300

Why is Baywara's description as potentially becoming “one of [their] greatest teachers” significant?

Violence creates a cycle that dispossessed First Nations people of their culture. 

300

Moran's camera/photography becomes a recurring motif. What does it represent?

the construction and manipulation of historical narratives, particularly by those with power.

300

How does Baywara demonstrate the cycle of violence?

the victim becomes a participant in the cycle 

300

Name the 'Mission' that Gutjuk is sent to, and identify it's purpose

'East Alligator River Mission' and it's purpose is to assimilate First Nation's people into European culture. 

300

Why does Johnson use Moran and Eddy's cover-up of the massacre?

To expose how colonial institutions could commit violence and then use their authority to avoid accountability and suppress the truth.

400

Which character is a foil to Moran?

Darrpa 

400

Why does Johnson repeatedly use birds and birdsong as transitions throughout the film?

reinforcing Country's enduring presence and its position as witness to human conflict.

400

How does High Ground complicate the difference between law, justice and revenge?

Colonial law is shown as neither inherently legitimate nor just; Darrpa's Lore and Baywara's revenge complicate who possesses the authority to determine justice

400

How does Johnson's representation of Country challenge terra nullius?

Johnson presents Arnhem Land as ancient, inhabited, culturally significant Country

400

Why does Johnson use the conventions of the revisionist Western rather than presenting a traditional Western?

To subvert traditional Western narratives that celebrate pioneers and colonial expansion, repositioning First Nations perspectives at the centre of Australia's frontier story.

500

Which character would you use to analyse the unwitting harm caused by colonisation/assimilation? 

Claire

500

Why is the repeated shot of Nimbuwah Rock at the beginning and end important to the film's circular structure?

emphasises the endurance of Country: people and conflicts pass, while Country remains and bears witness to history.

500

The film suggests that revenge...

Is not the same as justice, and instead creates a cycle of pain and suffering.

500

How might the film's representation of the Frontier Wars encourage a contemporary Australian audience to reconsider the nation's history?

encourages contemporary audiences to challenge romanticised narratives of peaceful settlement and confront suppressed aspects of Australia's colonial history.

500

High Ground exposes a history in which powerful people controlled the narrative. How does the film itself challenge that control?

By revealing the violence and manipulation hidden by colonial narratives, High Ground becomes an act of revisionist storytelling itself, giving contemporary audiences access to perspectives historically excluded from dominant accounts of Australia's past.

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