Characters
Attitudes
Name the device
Who says/thinks this?
Context
100

The envious protagonist who schemes via transformations/deceptive "gifts"

Nick

100

Raw, unsentimental realism laced with bitter humor and defiant resilience amid working-class hardship

A Taste of Honey.

100

"...rooms where the lonely are battered slowly like an old suit..."

Simile

100

"You're just like a big sister to me."

Jo

100

Cold war anxiety in late 20th century North America.

When it Happens.

200

The anxious protagonist preparing defenses and grappling with paranoia about impending disaster.

Mrs. Burridge

200

Cynical condemnation of urban corruption, false glamour, and the dehumanizing grind beneath the city's seductive surface.

The Capital

200

"The glare of noon is a white bandage bound..."

Metaphor

200

"I made the rising moon go back behind the shouldering hill"

Persona of "The Road"

200

Early 20th-century modernity shaped by rapid urbanisation, industrial capitalism, and widening class divisions

The Capital

300

Masks his deep alienation and the hollowness of his ordinary existence.

Unnamed protagonist of "The man who walked on the Moon"

300

Exhilarated, defiant urgency in the face of time and mortality, blending thrill-seeking mastery with hopeful renewal.

The Road

300

"a box that is a trap / a box that is a secret"

Anaphora

300

"The road for me now went only in one direction: away from my home, away from my mother, away from my father..."

Annie John

300

Victorian moral and religious culture shaped by anxieties about greed, temptation, and spiritual consequence

Nick

400

Tries to cling to dignity amid colonial and generational shifts.

Sharma

400

Anxious, paranoid vigilance and quiet dread in the face of impending societal collapse

When it Happens.

400

"Children owe their parents these little attentions." (Helen)

Irony (or dramatic irony / verbal irony – Helen's neglectful behaviour contradicts her words).

400

"It had been a joke between he and Rosie for a long time. The overseas students all had a hard time pronouncing it."

Attila

400

Late 20th-century fascination with technological progress alongside growing disillusionment with modernity and spectacle

The man who walked on the Moon.

500

The reflective young woman processing attachment, resentment, and separation as she leaves her home.

Annie John

500

Satirical exposure of moral hypocrisy, class double standards, and performative piety in society

Rich and poor. Saints and Sinners

500

The narrator fabricates elaborate lunar tales to mask his mundane reality.

Juxtaposition (or unreliable narration / irony)

500
"Keep that Gucci flowing"

Mr. Weerakoon

500

Late 20th-century British social environment in which ageing, identity, and national symbolism intersect.

Showing the Flag

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