Stages of Plot
Types of Conflict
Characterization
Basic Lit Elements
More Lit Elements/POV
100

The part of the plot that gives basic background information.

Exposition

100

takes place entirely inside the character’s own mind

Internal Conflict

100

The author tells the reader exactly what the character is like

Direct Characterization

100

where a story takes place (time, location, weather)

setting

100

when a reader or speaker says one thing but means the opposite

verbal irony

200

an episode, plot point, or event that hooks the reader into the story.

Inciting Incident/Initial Conflict

200

a character struggles against an outside force

External Conflict

200

The reader has to use their own judgment to decide what a character is like based on evidence the writer gives us

Indirect Characterization

200

a reader's reaction to the events of a story

mood

200

an occurrence that contradicts the expectations of the reader or audience

situational irony

300

reveals the conflict and all the problems that come from it

Rising Action

300

example: two boxers in a boxing ring

person vs person

300

undergoes change and development

dynamic character

300

the author's attitude toward the events of a story

tone

300

the universal message or idea that a story reveals

theme

400

moment of great emotional intensity or suspense in a plot; the conflict is decided; the point of no return

Climax

400

example: a man lost in the woods

person vs nature

400

experiences no change or development

static character

400

a contrast between what we expect and what really happens (a surprise to us)

Irony

400

when the reader has access to the thoughts and feelings of one character

1st person point of view

500

A 2 for!

  • how the characters deal with the fallout of the climax

  • ties up loose ends

Falling Action and Resolution

500

example: a person on trial for breaking the law

person vs society

500

a well- developed character with lots of traits and characteristics (we know a lot about them)

Round character (a flat character would be its opposite)

500

when the reader/audience knows more about the events of the story than the characters do

dramatic irony

500

when the reader has access to the thoughts and feelings of all characters

3rd person omniscient 

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