I can see it
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100

The representation of a character’s traits, motives, and psychological makeup within a story, shown through direct description or through actions, thoughts, and dialogue.

Characterization 

100

A struggle between a character and an outside force, such as another character, society, nature, or fate.

External Conflict

100

The emotional atmosphere or feeling that a literary work evokes in the reader, often created through setting, tone, and diction.

Mood

100

"As fast as lightning."

Simile

100

The time and place in which a story takes place, often contributing to the mood and theme.

Setting

200

simile

A figure of speech that compares two different things using “like” or “as”.

200

Hints or clues in a narrative that suggest future events or outcomes.

Foreshadowing

200

"The trees danced in the wind."

personification

200

Flashback

A scene set in a time earlier than the main story, used to provide background or context.

200

A figure of speech in which human qualities are given to animals, objects, or ideas (“The wind whispered through the trees”).

Personification

300

A figure of speech that makes a direct comparison between two unrelated things by stating one is the other ("Time is a thief").

Metaphor

300

The perspective from which a story is narrated (first-person, third-person limited, third-person omniscient).

Point of View

300

Diction

The author's choice of words, which affects tone, style, and meaning.

300

A question asked for effect or to make a point rather than to get an answer.

Rhetorical Question

300

The use of objects or characters to represent larger ideas or concepts.

Symbolism

400

Descriptive language that appeals to the senses (sight, sound, touch, taste, smell) to create vivid mental pictures.

Imagery

400

The central message, insight, or underlying idea of a literary work.

Theme

400

Connotation

The emotional or cultural associations attached to a word, beyond its literal dictionary definition.

400

Anaphora

The repetition of a word or phrase at the beginning of successive clauses or sentences for emphasis and rhythm.

400

A contrast between expectations and reality, often highlighting the difference between what is said and what is meant, or what is expected and what actually happens.

Irony

500

Hyperbole

 An exaggerated statement used for emphasis or effect (“I’ve told you a million times”). 

500

The author’s attitude toward the subject, audience, or character, conveyed through stylistic choices.

Tone

500

Two seemingly contradictory statements that are nevertheless true or a statement that appears self-contradictory or illogical but may reveal a deeper truth (“Less is more”).

Paradox

500

Anadiplosis

The repetition of the last word or phrase of one clause or sentence at the beginning of the next (“Fear leads to anger. Anger leads to hate.”).

500

Juxtaposition

The placement of two contrasting elements side by side to highlight differences or create tension.

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