WHO
WHAT
WHERE
HOW
WHAT AM I?
100

An uncomplicated character who only has one or two character traits.

Flat/Static Character

100

A story cannot exist without it.

Conflict

100

Includes Clothing, Technology, Language, Customs/Culture, Weather, Historical Period, Time, & Place.

Setting

100

Giving human qualities to an animal or object.

Personification

100

I am literally starving to death.

Hyperbole

200

A character who grows and changes over the course of a text.

Dynamic/Round Character

200

The point of highest emotional intensity in a story.

Climax

200

Created by an author’s word choices and details of setting.

Mood

200

Comparing two things using “like” or “as.”

Simile

200

“While I nodded, nearly napping, suddenly there came a tapping.”

-The Raven

Alliteration

300

A narrator who lacks credibility.

Unreliable Narrator

300

Idea or insight about life and human nature

Theme

300

The use of sensory details.

Imagery

300

Comparing two things not using “like” or “as.”

Metaphor

300

The book was so popular it flew off the shelves

Personification

400

Requires the audience to observe the thoughts, actions, dialogue, etc. of a character to uncover their traits.

Indirect Characterization

400

“A persecuted girl fights back against the community who has judged her and failed to believe in her.”

Person vs. society

400

An object, event, person, or animal that stands both for itself and also for something else.

Symbolism
400

A series of words in a row (or close together) that have the same first consonant sound.

Alliteration

400

I wished my father would give it up and leave, but he was on the case like Sherlock Holmes.

Allusion/Metaphor

500

Character with qualities directly opposing those of the main character.

Foil

500

A word that stands for a sound.

Onomatopoeia

500

The audience knows more than the characters.

Dramatic Irony

500

The repetition of a vowel sound in nearby words.

Assonance

500

“And there are other dangers as well.  It’s best to stay here.”

“What other dangers?”

“Nothing you need to concern yourself with.  Not yet, at least.”

Foreshadowing

M
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