Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 12
100

Content

What a movie is about, the subject, story, the ideas, the plotpoints

  • Ex: The plotline for Moana

100

Narrative

A way of structuring a story, type of movie

  • Genres, western, comedy, fantasy

  • Structured on Cause and effect sequences

  • Can use flashbacks

100

Name all 6 genres?

Gangster

Noir

Scifi

Horror

Western

Musical

100

Plot duration

The amount of time the film covers

100

Above the line/below the line costs

  • Above-the-line costs (~30%) = creative people (actors, director, writer)

  • Below-the-line costs (~70%) = technical and production (sets, cameras, crew)

200

Parallel editing

The cutting back and forth between two or more scenes that are occurring at the same time

  • Ex: The FBI breaking into random house, while Agent is breaking into Killers house

200

Observational

  • Goal is to immerse viewers in an experience as close as one cinematically can, doesn’t interact with anything

200

What is a genre

A way to categorize narrative films, no genre is absolutely defined

200

Story duration

Length of Implied and Explicit events in the characters life



200

Central producer system

One main producer controlled everything — they focused on making lots of movies fast rather than high quality. Think “factory-style filmmaking.”



300

Versimillitude

It’s how believable something feels in comparison to the real world

  • Ex: Spiderman, it feels real but your not recognizing that superheroes aren’t real since the fake world is so consistent

300

Participatory

  • The camera is participating with the viewers, interviewers, interactive

300

Hybrid genres

Blends two or more genres

  • Ex: Twilight, La La Land

300

Diegetic vs. non diegetic

Diegetic- Whats actually in the film ex. footsteps

Nondiegetic- Not in the actual story ex. text on screen



300

Producer unit system

Studios got more organized — each producer handled a few movies, which made production more efficient and standardized.
(Example: a producer might be assigned to all the romantic comedies that year.)



400

Kuleshov effect

Using editing to create meaning between shots

  • Ex: A shot of a man paired with a shot of food tells the audience that the man is hungry

400

Poetic

  • Provides a subjective interpretation of something, no words or narration

400

Homage

Respectful Tribute, Dedication to a specific film, artist, or style

400

Familiar image

When a visual or audio keeps repeating

  • Ex: California dreaming repeating

400

Package unit system

  • Instead of one studio doing everything, an independent producer assembles a “package” — hires a director, writer, actors — and pitches it to get funding. This gave more creative freedom to artists.

500

Occams Razor

 It’s when someone chooses the simplest explanation

  • Ex: In Get out you assume the family is racist rather than thinking it’s all a metaphor for how aliens will take over the world

500

Reflexive

  • How the documentary was created or the process that led to the outcome

500

Pastiche

Creative Imitation, When a movie takes inspiration from another movie



500

Omniscient narrator

Narrator knows everything

500

Vertically integrated 

Studios owned 

  1. The production (making the movies)

  2. The distribution (sending movies to theaters)

  3. The theaters themselves (where the movies were shown)

  • That’s why they were called “Dream Factories.” Studios had huge lots where hundreds of movies were made and stars were under long-term contracts.

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