"...I fear / Thou played'st most foully for it" (III.1.3)
The NEW king of Scotland, the Thane of Glamis, and the Thane of Cawdor.
Macbeth
The event to which Macbeth invites Banquo.
A Feast
An example of historical/literary allusion in Act III, Scene 1.
Mark Antony and Octavius Caesar (III.1.62)
The FIRST argument Macbeth makes to convince the two murderers to kill Banquo.
"...[he]...[who] held you so under fortune..." (III.1.85).
Metaphors which Macbeth uses to describe his position as king (regarding his heirs).
"fruitless crown" (III.1.66)
"barren scepter" (III.1.68)
Fleance
Banquo's young son.
The two men who Macbeth speaks with about his secret plot involving Banquo.
Two murderers.
Macbeth invites "fate" to a trial by combat. This analogy describes Macbeth's plot to murder Banquo. (III.1.75-77).
The vague language in which Macbeth tells the audience of his plan for Fleance's fate.
"Fleance...must embrace the fate of that dark hour" (III.2.156-7).
A recurring symbol of treachery/betrayal.
The Snake (III.2.15)
Two Murderers
The setting of Act III.
Forres Castle
The word for "servant" in Shakespearean vocabulary.
Sirrah (III.1.48)
Macbeth uses this TYPE of imagery to describe how he fears Banquo's loyalty.
"Dagger" / "Fencing" imagery (III.i.54, 133).
Seeds (III.1.75)
The Goddess of the Moon/Patron of Witches
Hecate
The time of day in which Banquo's murder will take place.
Early evening (before twilight) (III.2.45-6).
"eternal jewel" (III.1.73)
The word Macbeth uses to describe Banquo's murderers as both "soldiers in a line" and "on a list."
"File" (III.1. 114-115)
A Bell
The GENERAL of Macbeth's army.
Banquo
How does Macbeth convince the two murderers to carry out his orders?
He convinces them that Banquo has stripped their property from them and held them "under fortune," i.e. he stopped these two men from advancing to a higher position in the army (III.1.85-89).
An example of consonance which Lady Macbeth uses at the beginning of Scene 2.
"'Tis safer to be that which we destroy / Than by destruction dwell in doubtful joy" (III.2.8-9).
The crime that Malcolm and Donalbain stand accused of at the beginning of Act III.
Parricide (n.): A child's murder of their father. (III.1.35)