Media Producers
The Media Industry
Theories and Theorists
New Media
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100

Ordinary people who create media content on social media platforms and become famous due to their large audiences of followers

influencers

100

Working only with established professionals, or hiring people who look most like the predecessor in terms of age, gender, ethnicity, etc. 

logic of safety

100

Coined by Romy Frölich, the vicious circle that traps women upon arrival in the media industry. First, they are praised for their so-called feminine skills, but these skills are simultaneously the obstacle as they attempt to climb the corporate ladder, as masculine traits are still considered desirable in managerial positions

"friendliness trap"

100

“computationally enabled technologies and platforms” that include mobile phones, online communication, social media, and streaming services

digital media

100

Safiya Umoja Noble's work on this search engine explains how human bias creeps into the computer programs that govern and manage our lives

Google 

200

1) media jobs that are usually articulated as "craft" positions and are also far more invisible. Women are often employed in these positions; 2) media jobs that usually refer to "creative" professions. Men are more often employed in these positions

1) below the line workers; 2) above the line workers

200

gender inequality that is hierarchically organized (the inequality increases towards the top) and can't be explained by any other characteristics of the employee

glass ceiling

200

Neil Postman's term to describe how media technologies, and the production and use thereof, are forming an environment in which a symbolic order is reproduced

"media ecology"

200

Describes the fact that access to new media technologies is not equally distributed 

The digital divide

200

The large size of the average cell phone is an example of this approach to building technology

"one-size-fits-men"

300

Media workers who define legitimate and illegitimate culture, what is desirable, and by whom it is desirable. For example, music producers

cultural intermediaries 

300

Indicates a situation where women are promoted as often as men but receive lower wage gains consequent upon promotion

sticky floor

300

A Marxist feminist theory describing the "high/low" culture distinction; For example, while popular media genres such as soap operas, romance novels, and popular music have been viewed as mass culture of low quality, genres such as current affairs programs, literature, and classical music have been branded as high culture, connoting high quality and masculinity

"gendering of cultural forms" 

300

“the term used to indicate the digital media content produced by what we formerly knew as audiences.” Includes news sites, blogs, web shops, photo sites, social media content, file sharing sites, and open-access software

User Generated Content (UGC)

300

a practice that continues “to assert and, so to speak, militarize the boundaries between in-group and out-group populations on the Internet”

trolling

400

These music industry workers play a role in solidifying men's dominance on the Top 40 charts

radio DJs

400

1) refers to an informal system of friendship and mutual assistance through which men who are acquainted with each other through, for example, student fraternities and private schools, exchange favors and connections, or it may be an informal gathering of, for example, high profile media managers (e.g. a sports club); 2) a term that refers to the replication of this system in the age of new media, disproving its egalitarian potential  

1) old-boys' network; 2) new-boys' network 

400

Henry Jenkins's concept referring to a fan activity of media consumers who take bits and pieces from existing media texts and re-appropriate them

"textual poaching"

400

This refers to changes in digital media and the fact that users' data facilitates the provision of extra personalized media content due to the work of algorithms 

datafication

400

1) refers to specific media types/genres like human interest or entertainment media which are usually characterized as feminine. This media content usually has a lower status and, commonly, more women than men work in the production of this media; 2) refers to specific media types/genres with high status mostly made by men and characterized as masculine

1) "soft" media; 2) "hard" media

500

This media industry job reflects the only media profession to transform from a female-dominated profession to a male one

film writers

500

1) refers to specializations in a certain field and points out that women are more likely to specialize in different topics than men; 2) refers to the idea that women in the media industry are found in less managerial or "high up" positions as men

1) horizontal segregation; 2) vertical segregation

500

A theoretical model that diverts attention towards the "importance of human choices and action in technological change, rather than seeing technology as politically and ethically neutral, an independent force with its own inevitable logic and motives, or as a mysterious black box that cannot be analyzed socially"

"social shaping of technology" (SST)

500

The process through which digital media technologies have become less distinct from one another. For example, how smartphones allow us not only to make calls, but to watch TV, play games, shop, and post on social media. 

convergence culture 

500

Describes the uncertainty of creative work in new media 

precarious labor 

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