Plot Points
Film's Legacy
Carter's Text
Zarah Leander
100

The setting of the film.

Berlin.

100

The film's popularity during World War II.

Extremely popular, a major box office success.

100

The alliterated European-American film star Leander often satirized before her stay with Ufa.

Greta Garbo

100

Leander's birth country

Sweden

200

The profession of the main male character, Robert.

Luftwaffe Officer/Pilot.

200

The film's impact on German cinema.

One of the most successful and iconic films of the era.

200

German-American actress whose estate was quickly bought up by the Berlin Senate after her death as a way to ‘atone’ for their treatment of her.

Marlene Dietrich

200

Traditionally masculine term used to describe Leander’s unusually deep contralto voice.

Baritone/bass

300

The reason why Hannah is in Berlin.

To perform at the Scala cabaret. 

300

The film's portrayal of war.

Romanticized and escapist.

300

The film concept that focuses heavily on gratuitous on-screen elements.

Visual Excess

300

The aesthetic category used to refer to Leander's voice, often associated with intensity, pain, and overwhelming sensation.

Feminized sublime

400

The event that separates Hanna and Robert.

Robert is sent to the front lines.

400

The film's star, Zarah Leander, was known for this. 

Her deep voice and dramatic performances.
400

Leander/Astrée’s “object of desire” in La Habanera

Don Pedro

400

The multisensory effect Leander's voice was said to have on audiences.

Enveloping somatic experience

500

The ultimate fate of Robert.

He is presumed dead, but survives.

500

The film's lasting cultural significance.

Remains a classic of German cinema, often debated for its wartime context.

500

Goebbels’ concept that some argue applies to the marketing of Leander’s vocal talents, across radio programs, mass rallies, spectacles, holidays, and commemorations.

Orchestra Principle

500

The iconic song performed by Zarah Leander in the film. 

"Davon geht die Welt nicht unter" (The World Won't End Because of It)

M
e
n
u