ACTING FUNDAMENTALS
ACTING POSITIONS AND BLOCKING
PARTS OF A STAGE
TYPES OF STAGES

TECH THEATER
100

The two most important concepts for beginning actors.

Projection and Cheating Out

100

Known as “cheating out.” This is the most common position because it allows the audience to see the actors’ expressions.

One-Quarter

100

There are this many parts of the stage (onstage).

Nine

100

Seats the audience on one side of the stage and separates the stage and audience with a proscenium arch

Proscenium

100

Auditions and casts the parts. Blocks and coaches the actors. Works with designers to create the “vision” of the play

Director

200

When actors stop being the character and switch back to themselves.

Breaking Character

200

Actors face away from the audience so only their backs can be seen.

  • Ex: When a character is “hiding,” takes a moment to “think,” or is about to reveal something

Full Back

200

Right and left are determined from the whose perspective

The Actor's 

200

A theatrical stage that is surrounded on all sides by the audience

Arena or Theatre-in-the-Round

200

Creates and teaches the dance numbers.

Choreographer

300

The art and process of creating a character.

Characterization

300

The actor faces either the back right or back left corner (least common)

Three-Quarter

300

The backstage areas on both sides of the stage, unseen by the audience.

Wings

300

A stage that extends into the audience on three sides and is connected to the backstage area by its upstage end

Thrust

300

Creates the visuals for lighting, special effects, spotlights & sometimes video screens for a play

Lighting Designer

400

The character’s mannerisms.

Physicality

400

Moving from one part of the stage to another.

Cross

400

The area behind the stage, used to travel from one side to the other unseen by the audience.

Crossover

400

A simple performance space, typically a square room with black walls and a flat floor

Black Box

400

Designs the costumes for a play, ensures they’re right for the time period, director’s vision, and practical for the actors.

Costume Designer

500

The tone of voice that communicates meaning in addition to the words.

Subtext

500

The directed movements of an actor on stage.

Blocking
500

This is the part of the stage farthest from the audience.

Upstage

500

This is the most common type of stage.

Proscenium

500

Gathers & creates all props used in a play, instructs actors on their use, and keeps them organized

Prop Master

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