Line and Shape
Light and Color
Textures and Patterns
Principles of Design & More
Wild Card
100
This is the path of a moving point.

Line

100

Color cannot exist without this.

Light

100

Actual texture is experienced through this sense.

Touch

100

This is the opposite of unity.

Variety

100

This artist painted two versions of herself; one was cutting the other off. 

Frida Kahlo

200

This type of line is not always obvious in the work. 

Implied line

200

Colors next to each other on the color wheel are this scheme.

Analogous

200

This type of texture is the illusion of actual texture.

Visual

200

This is usually the first thing that captures the viewer's attention.

The focal point

200

Tempera paint was first created using this as a binding agent.

Eggs

300

These types of lines are usually the most energetic.

Diagonal

300

This is another word for saturation.

Intensity

300

A welcome mat made of nails demonstrates this type of texture. 

Subversive

300

When artists want to symbolize ideas in their work, they use this.

Iconography

300

Elements radiate from or are organized around a center point in this type of balance.

Radial balance

400

There are formed when lines meet each other.

Shapes

400

These colors are the result of mixing various shades of black and white.

Achromatic

400

To create a pattern, you must use this Principle of Design.

Repetition

400

This generally refers to distinctive characteristics of art that are common to one specific era, culture, or group of artists.

Style

400

This is the artist's "why" in a work of art. 

Content

500

This is an italian word that means to render lightness and darkness on a 2D surface.

Chiaroscuro

500

This type of color does not reflect visible reality. 

Arbituary color
500

This type of texture makes so reference to reality.

Invented

500

When comparing the size of two objects in a work, we are talking about this.

Scale

500

The arrangement of visual elements is called this. 

Form

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