Energy & Dynamics
Movement Qualities
Design & Structure!
Tempo & Timing
Style & Techniques
100

A sinking movement involving the controlled release of tension in the entire body parts

Collapse

100

Occurs front to back, side to side, in an upper or lower arc, in a circular path, and as an initiative to a fall, spiral or turn. This exercise is performed while standing and often in a series with a decreasing number of repetitions

Body Swinging

100

A balanced, even design; an even correspondence of design, space, rhythm, or position of the body

Symmetrical

100

The act of falling by force of gravity

Fall

100

A highly individualized artistic expression of dance.  As a rejection of traditional ballet values, aesthetic, and technique, there is no single approach to technique, although there are various styles of dance

Modern Dance

200

The letting go of tension or energy; in the Graham technique, it usually follows an extension

Release

200

transfer of weight from one foot to another without losing contact with the floor

Walk

200

An unbalanced proportion in the design

Asymmetrical

200

The rate of speed at which a movement occurs

Tempo

200

Body is supported on one leg, free leg extended backward at a right angle

Arabesque

300

Curving of the torso into a concave shape. The action initiates from the pelvis, the abdominal muscles, the upper chest, or the entire torso

Contraction

300

A flow or current of curving motions without a break or pause in rhythm

Curved Movement

300

The arrangement of parts to produce Choreography

Composition

300

Sudden (sharp & percussive) vs. Sustained (slow and smooth)

Time

300

The compelling temperament, state of emotion, or feeling tone of a movement

Mood

400

Firm (strong & forceful) vs. Fine (delicate & light)

Weight

400

A quality of movement that creates the impression of defying gravity; floating, effortless movement

Suspended

400

An outward rotation of the legs, the action taking place at the hip joints

Turn Out

400

A term used to refer to the shaping of human exertion

Effort

400

“To chase.” A triple-step pattern in which the feet glide together step-by-step

Chasse

500

Shading in the amount of energy, intensity, or power; subtle variations in the treatment of movement contrasts

Dynamics

500

Concentration on a fixed or moving point in space.

Focus

500

The art of planning and arranging dance movements into a whole; the process of building a meaningful composition; a finished dance work

Choreography

500

A sudden impelling force that produces movement

Impulse

500

A way of tapping the subconscious without censorship, allowing spontaneous, simultaneous exploring, creating, and performing.  Improvisation emerges as an inner-directed movement response to an image, idea, or a stimulus

Improvisation

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