Shape up or Ship out
If you have a wide jaw and a narrow forehead, you have this type of face shape.
Triangle
This is the design element that draws the eye.
Emphasis
This is the area on the head located below the occipital bone.
Nape
A stylist that learns and grows from past mistakes is using this planning step.
Try and try again
These are repeating lines in a hairstyle. They can be curved or straight.
Parallel lines
This is how you would want to shape the hair for a client who has a round face.
Create volume on top and keep it close to the head on the sides
The comparative relationship of one thing to another is also known as this.
Proportion
The area that begins at the apex and ends at the front corners is known as this.
Bang area
When planning a style, and deciding which tools and techniques are needed to create the desired outcome, the stylist is doing this.
Creating a plan
Regular pulsation or a recurrent pattern of movement is known as this.
Rhythm
Full hair that falls below the jaw is best suited for clients who have this facial feaure.
A long jaw
The illusion of motion in the hair contributes to this specific design element.
Design Texture
The parietal ridge is considered the reference area on the head that is the most this.
Wide
This comes from many sources. In fact, it can come from anywhere at any time.
Inspiration
Diagonal back parting will create this effect.
The illusion of width and height
This face shape is 1.5 times longer than it is wide.
Oval
When referring to the design element FORM, this is what you talking about.
The mass or the general outline of a hairstyle
If a cosmetologist places a comb flat on the side of the head, they are most likely trying to identify this area.
Parietal ridge
A hair stylist notices that their client has an interesting focal point and wants to highlight it. This is what they should do to achieve that.
Use design lines to draw the eye to the focal point
This type of hair responds well to the blow dryer and flat iron.
Curly, fine hair
This is the ideal way to shape/style hair for someone whose face is wide at the their cheekbones and narrow at their forehead and chin.
Shape the hair close to their head at the cheekbone and create fullness in the forehead and bottom areas.
Dividing the face into four equal parts allows you to assess these 2 things.
1.Balance
2. Symmetry
In order to identify a client's hair type using the Andre' Walker Hair Typing System, these are the 2 things you need to consider.
1. Hair texture
2. Hair density
A client has too many points of focus in their hairstyle and has no actual area of interest. Their stylist failed to do this.
Consider emphasis when designing their hairstyle
To create a three dimensional hair design, a stylist must consider the following 5 things: Form, Design Texture, this, this and this.
1. Line
2. Space
3. Color