Shot Sizes and Angles
depth of space
Color
Lighting
Dominants
100

What is a high-angle shot and what general effect does it have on how the audience sees a character?

High-angle: camera looks down, makes subject appear smaller, weaker, or vulnerable.

100

How do you create a depth of space in cinematic terms?

A sense of depth is created by composing the image to have:

  • foreground 

  • mid-ground

  • background.

100

a scene has only shades of one color, name that color scheme

monochromatic

100

Explain the difference between high-key lighting and low-key lighting and give one emotional effect each can create

High-key: bright, low contrast — often creates upbeat or comedic mood; Low-key: strong contrast, deep shadows — creates suspense, mystery, or tension

100

What is a dominant (dominant element) in a film frame?

The area that attracts the viewer’s attention because of some compositional technique. 

200

Define a close-up and explain one purpose it serves in storytelling.

Close-up: frames face or object tightly; used to show emotion/detail and create intimacy

200

How do you make the viewer to focus on one area?

Shallow composition

200

A scene has predominantly yellows and purples, what color scheme is it?

complementary

200

What is a defining feature of hard lighting

Sharp, definable shadows

200

A 'gun' is an example of what kind of dominant?

Object of intrinsic interest

300

What is an establishing shot and why do filmmakers use it at the beginning of a scene?

Establishing shot: wide/long shot that shows location and spatial relationships, orients audience

300

define deep and shallow depth of field

Shallow depth of field is the kind in which part of the frame is out of focus. Thus, the areas of sharpness are limited.                      


Deep depth of field, on the other hand, is the kind in which the entire frame, from the foreground to the background, is in focus.

300

a scene has a mix of blues and greens, name that color scheme

analagous

300

Hard lighting is often associated with what other lighting element?

High contrast

300

What is it called when 2 subjects are fighting for dominance?

a power struggle

400

Compare a medium shot and a wide shot in terms of how much information each gives about character and environment.

 Medium shot shows upper body and gestures; wide shot shows full body and environment — medium emphasizes character interaction, wide shot emphasizes place, context

400

What are 2 ways to create a sense of depth?

  1. Move characters through different depths of space (closer or farther from the camera)

                                    or;

  1. Move the camera through the space 

400

What can be the impact of introducing a discordant color into a scene?

Drawing attention, creating a sense of unease

400

Define high contrast lighting

High Contrast Lighting is lighting with a wide range of brightness (from very dark to very light)

400

What is the visual element(s) arranged to counterbalance the dominant.

subordinate figure or element


500

a director films a character from slightly below eye level during a quiet, tense moment and then cuts to a high-angle shot during the character’s moment of defeat. Analyze how angle choices guide viewer sympathy and interpretation across the scene.

Low angle before defeat can elevate sympathy/perceived strength; switching to high angle at defeat makes them seem diminished and increases audience sense of loss.

500

What is the difference between shallow focus and shallow composition?

Focus is the quality (the “sharpness”) of an object as it looks in the image.

Depth of Field refers to the extent to which the space represented is in focus. 



500

How can warm colors (reds, oranges, yellows) influence the mood of a scene compared to cool colors (blues, greens)?

Warm colors often feel energetic, intimate, or threatening; cool colors can feel calm, distant, or cold.

500

Name 2 potential sources of hard light

 the sun, focused light, or candlelight

500

Give two examples of elements that can be dominants in a shot (one visual and one compositional)

Visual example: bright object; compositional example: leading lines pointing to a subject.

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