Scale identification
Inversions
Cadences
Dynamics and terms
Chord identification
100

W - W - H - W - W - W -H

Major scale

100

Root note in lowest position

Root position

100

Dominant chord followed by tonic chord

(V-I)

Authentic cadence

100

"C" measure

Common time (4/4)

100

Chord Progression:

G, B, D

G Major chord

200

W - H - W - W - H - W - W

minor scale

200

5th as lowest position

Second inversion

200

Cadence that is suspended or interrupted, ending in a dominant chord (V)

Half-cadence

200

Gradually getting faster

Accelerando

200

Chord Progression: 

D, F, A

D minor chord

300
W - H - W - W - H - A2 - H

Harmonic minor 

300

First inversion of Fm

Ab - F - C

300

Dominant chord leading to alternative chord other than tonic chord 

(Ex: V - IV)

Deceptive cadence

300

Lowers sound one octave when placed below the staff

8ba (all'ottava Bassa)

300

Chord Progression 

C, E, G, Bb

C7 chord

400

D - E - F# - G# - A# - C - D

Whole tone scale

400

AbmV6

B (Cb) - Eb - Ab

400

In key of C:

F chord - C chord

Plagal cadence

400

One or more beats in a partial measure before the first measure in music

Anacrusis 

400

Chord Progression: 

Eb, Gb, Bbb

Eb diminished chord

500

C# - E - F# - FX - G# - B - C

C# Blues Scale

500

Caug7 V4/3

G# - C - E - Bb

500

(ii0) - (III+) - (VI) - (vii0)

Minor secondary accompaniment chord

500

Melody, harmony, and rhythm stay the same verse after verse

Strophic (12 bar blues)

500

Chord Progression: 

A#, C#, E, G

A# diminished 7th chord

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