Eras Tour
I Got Rhythm
Famous Composers
So Emotional
Law and Order
100

The name of this era means "bizarre, exaggerated, in bad taste"

Baroque

100

The first method for notating music on paper, these could only represent melodic gesture and relative pitch, not rhythm 

Neumes

100

Though known today as one of the "greatest" German composers of all time, during their lifetime this musician was relatively obscure, composing mainly to satisfy the requirements of their job

Johann Sebastian Bach

100

Stable, archetypal states of the soul that seventeenth-century Europeans believed we experience as emotions

Affections

100

This Renaissance-era religious movement opposed the absolute authority of the Catholic church 

Protestant Reformation

200

The eighteenth-century European cultural movement whose central themes were reason, nature, and progress

Enlightenment

200

Notre Dame rhythmic modes were always based in groupings of (number) pulses

Three

200

This composer is known for utilizing unusually wide melodic ranges and long melismasm as well as receiving mystical visions and founding their own convent

Hildegard of Bingen

200

A repeated pattern of descending notes in the bass, such as that found in Monteverdi's "Lamento della ninfa," meant to represent great sorrow

Lament bass

200

Tonal (or functional) harmony is based on this natural phenomenon

the overtone series

300

This era was characterized by humanism--a movement in the arts, philosophy, and literature

The Renaissance
300

Although it was already possible to notate rhythm, this style of notation introduced smaller rhythmic values and the grouping and division of beats into two.

Ars nova

300

This Protestant leader wrote church music in the vernacular language, using strophic form and simple melodies in order to lend the congregation a greater role in worship

Martin Luther

300

An operatic role in which a mezzo-soprano singer plays a young male character, who is usually comedic, naïve, and susceptible in love

Pants role 

300

By the Classical era, most operatic arias followed this form

Da capo (ABA)

400

In this era (specify ERA and EARLY/LATE), church chant was passed orally rather than being written on paper

Early Medieval 

400

The French baroque performance practice of playing two note of equal WRITTEN value as "long-short" 

Notes inégales

400

This composer most significantly developed and popularized the concerto genre, due to their job as music director at a school for orphan girls

Antonio Vivaldi

400

In this dynamic, popular in Medieval literature, a man has a crush on a woman of higher social rank who wants nothing to do with him

Courtly love
400

This section of Lully's operas accompanied the entrance of King Louis XIV

French overture

500

This era (specify ERA and EARLY/LATE) saw the Great Western Schism, the bubonic plague, and the invention of the mechanical clock and eyeglasses

Late Medieval 

500

In music of the Ars subtilior, this was used in the score to indicate different prolations

Colored notation

500

This Franco-Flemish composer was popular among Renaissance humanists, because of his clear text setting that mirrored rhythms of speech

Josquin Desprez

500

Poetry and music in the 12th century explored this topic, which had not previously been addressed in music

Human love

500

This Frankish king standardized church chant in order to unify his kingdom in the 800s

Charlemagne 

M
e
n
u