Pitch 1
Pitch 2
Structure
Texture & Duration
Dynamics & Tone Colour
100

A harmonic or monophonic accompaniment where a note or chord is continuously sounded throughout an extended period of time in a piece.

Drone

100

A harmonious sound (e.g. a 3rd, 6th, or perfect interval) that doesn't clash harmonically.

Consonant

100

ABA musical structure. The original section (A) is followed by a new section (B) and then returns to the original section.

Ternary Form

100

A subordinate melody that is played simultaneously with a more prominent and dominant lead melody.

Countermelody

100

The highest male voice type

Tenor

200

Music that lacks a tonal centre - no pitch can be perceived as being the tonic.

Atonal

200

The 7th note of a scale. It creates tension and movement towards resolving the note upwards to the tonic note.

Leading Note

200

A musical structure where the A section returns between each new section. ABACADAE etc

Rondo Form

200

An Italian tempo marking meaning very fast (168–200 bpm).

Presto

200

A vocal register that produces a light, breathy sound in the highest part of a male’s range. 

Falsetto

300

The movement of both voices in a comparable direction — both up or both down etc, but doesn’t necessarily maintain a strict intervallic distance.

Similar Motion

300

A chord in which the third is raised or lowered by a tone to create a perfect fourth or a major second. The resulting sound is tonally ambiguous.

Suspended Chord

300

A section that brings a piece/movement to an end. It may be as simple as a few bars, or as complex as an entire section.

Coda

300

Also known as a “round”, a type of contrapuntal composition where a melody is then imitated in a different part/voice after a given duration (e.g. after 2 beats, after 1 bar etc)

Canon

300

In a jazz setting, the group of melodic instruments that play the main melody, improvise solos, etc. Dixieland and New Orleans - trumpet/cornet, trombone,  clarinet. Swing - trumpet, trombone and saxophone.

Front line

400

The final two chords of a progression. There are four main types (perfect, plagal, deveptive, imperfect).

Cadence

400

A reordering of the notes in a chord in order to create a different musical colour. Instead of the intervals being a 3rd apart, it introduces the interval of a 4th.

Inversion

400

A musical structure with the repetition of a single musical section without additional sections. AAA etc.

Strophic Form

400

Also called a “pick up” where the first bar of the song has less beats than is specified in the time signature. 

Anacrusis

400

A dynamics term meaning "suddenly very loud", which only applies to a given note.

Sforzando

500

When a piece of music in a minor key finished with a major tonic chord, instead of a minor chord.

Tierce De Picardie

500

The relationship of two or more simultaneous musical lines that are harmonically dependent on each other, yet independent in rhythm and melodic contour. It creates polyphony. It is composed carefully to follow strict harmonic rules.

Counterpoint

500

A musical structure without any repetition or return to previous musical material.

Through Composed

500

A musical notation symbol that is placed over a note or rest and signals the performer to hold the note or rest longer than its standard duration. The exact length is left to the performer’s or conductor’s discretion.

Fermata

500

An articulation that means ‘marked’ in Italian. A very similar effect to an accent with a staccato, but not quite as detached or loud.

Marcato

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