Pitch
Structure
Texture
Duration
Dynamics & Expressive Techniques
100

The first and most important note of a scale. Also known as home note.

Tonic

100

Structure used to describe contemporary song structures (verse/chorus/bridge etc)

Verse/Chorus Form

100

The musical part/s which provides the harmonic and/or rhythmic support for the melody.

Accompaniment

100

Notes played short and detached

Staccato

100

Gradual decrease in volume

Diminuendo

200

A 3-note chord of stacked 3rds (major and/or minor).

Triad

200

ABA structure

Ternary Form

200

A melody that is used as an embellishment - not of equal importance as the main melody - often used to add interest.

Countermelody

200

Emphasis on beats 2 and 4

Backbeat

200

Notes are joined (must be two different notes) - played without any space between them.

Slur

300

How you would describe a clashing sound (e.g. a 2nd, a 7th, or an augmented or diminished interval).

Dissonant

300

Term referring to a form of composition in which the first section recurs after the second, third, fourth etc section is performed (ABACADA etc)

Rondo Form

300

Music that is where two or more core melodic lines of equal importance play simultaneously.

Polyphonic

300

An emphasis on the weak or off beats. Used in three ways: accents, rests, ties.

Syncopation

300

Technique term for string instruments plucking their strings.

Pizzicato

400

The absence of any recognisable key or tonal centre. All pitches are theoretically of equal importance.

Atonal

400

A short musical idea, with a distinctive melody and/or rhythm - a term most commonly used in classical music, rather than rock.

Motif

400

The repetition of a musical pattern at a higher or lower pitch.

Sequence
400

The simultaneous use of two different rhythmic groupings (e.g. 2 against 3 / crotchets against crotchet triplets).

Cross Rhythm / Polyrhythm

400

Notes, usually of short duration, that are added to the main melody of a composition to decorate the melody, they may be either written specifically by the composer or added by the performer.

Ornamentation / Embellishment

500

When two melodies are going in opposite melodic directions to each other at the same time (one ascends, the other descends)

Contrary Motion

500

A structure of composition that first presents a musical theme and then develops that theme in successive iterations within the same composition.

Theme and Variations

500

A melody with one or more imitations of the melody played after a given duration (e.g. after four beats)

Canon

500

Fast, quick tempo (120 - 150 bpm)

Allegro

500

Rapid alternation between two notes.

Trill

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