Classical Forms
Baroque Forms
Harmony
Jazz and Blues
100

Exposition :| Development  Recapitulation

Sonata form

100

Subject, Countersubject, Stretto, etc.

Fugue

100
the bII chord

Neapolitan

100

I |  |  |  |IV |  |I |  |V |IV |I |  |

12-Bar Blues

200

A B A C A

Rondo

200

Repeated set of Chords

Chaconne

200

Notes borrowed from minor into major or vice versa

Modal Mixture

200

A A B A

Quaternary (or 32-bar Form)

300
Song with same music but different words each verse

Strophic

300

Repeated melody

Passacaglia

300
Chords including at least b6, 1, and #4

Augmented sixth chords

300

Name for a Db7 in place of an expected G7

Tritone Substitution

400

A B A C A B A

Sonata-Rondo

400

Vocal piece in Composite Ternary form

Da Capo Aria

400

A Gr+6 may be interpreted enharmonically as a V7 in a key whose tonic is how far and in what direction from the present key?

Up a half step

400

Name for a drum pattern where the kick plays on every beat

Four on the Floor

500

Form with three nested binaries (and usually a da capo)

Composite Ternary

500

A :||: B   A'

Rounded Binary

500

A viio43 in the home key functions as viio7 in a key of this distance from the original.

A Tritone

500

Name for a comping pattern of dotted quarter, eighth

the Charleston

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