Classical Forms
Baroque Forms
Harmony
Modulation
100

Exposition :| Development  Recapitulation

Sonata form

100

Subject, Countersubject, Stretto, etc.

Fugue

100
the bII chord

Neapolitan

100

Closely related keys for C Major

GM, FM, Em, Am, Dm

200

A B A C A

Rondo

200

Repeated set of Chords

Chaconne

200

Notes borrowed from minor into major or vice versa

Modal Mixture

200

A pivot of vi in the home key with ii in the new key modulates to which key? (Subdominant, Dominant, etc.)

the Dominant

300
Song with same music but different words each verse

Strophic

300

Repeated melody

Passacaglia

300
Chords including at least b6, 1, and #4

Augmented sixth chords

300

Type of modulation that goes instantly to the new key

Direct Modulation (or Common Tone Modulation)

400

A B A C A B A

Sonata-Rondo

400

Vocal piece in Composite Ternary form

Da Capo Aria

400

The notes of V7/V in B minor

C# E# G# B

400

A Gr+6 may be interpreted enharmonically as a V7 in a key whose tonic is how far and in what direction from the present key?

Up a half step

500

Form with three nested binaries (and usually a da capo)

Composite Ternary

500

A :||: B   A'

Rounded Binary

500

The notes of a CT+6 in Eb Major

Cb (or B-nat) Eb Gb (or F#) A-nat

500

A viio43 in the home key functions as viio7 in a key of this distance from the original.

A Tritone

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