Opera Beginnings
Classical Opera
Romantic Opera
Contemporary Opera
Opera Parts
Voice Types
100

Opera was first heard during this time period 

Renaissance 

100

This composer wrote that the drama should be the most important element in an opera

Christoph Willibald Gluck 

100

Despite writing only one opera, this composer is the crucial figure for Romantic music 

Ludwig van Beethoven

100
This means to express the meaning of emotions

Expressionism 

100

This is the instrumental opening of an opera prior to the beginning of the first act 

Overture 

100

This is the highest male voice, most often the leading role.

Tenor

200

This small group of artists, statesmen, writers, and musicians wanted to recreate the storytelling of Greek drama with music 

Florentine Camerata 

200

What were seen as issues with opera seria during the Classical era 

Embellishments on behalf of well trained singers 

Visually striking performances as a replacement of drama 

200

This type of opera was popular during the Romantic era 

rescue opera

200

This composer wrote Bluebeard's Castle 

Bela Bartok 

200

This is the text that is intended to be used as an opera

Libretto 

200

This is the highest female voice, most often the lead female role.

Soprano
300

This type of opera deals with serious and historical themes 

opera seria

300

What are some characteristics of a classical opera

simplicity, bigger dynamics, advancements of instruments and music

300

This composer set new standards for comic and serious operas 

Gioachino Rossini 

300

This composer wrote atonal and expressionist music.  Composed the opera Elektra 

Richard Strauss 

300

This is a solo melody performed with an accompaniment 

Aria 

300

This is the most common male voice type.  A male who sings this vocal range can play either a hero or a villain 

Baritone

400

This type of opera is a comedy or scenes from daily life.

opera buffa

400

This composer is the crucial figure for developing classical opera 

W.A. Mozart

400

This composer wrote the libretto and the music for his operas

Richard Wagner

400

This means that no note is the main idea, and the other notes are not related to each other 

Atonal 

400

This is when the performer imitates the rhythm of the spoken word, usually sung on a repeated note or just a few notes with no melody 

Recitative

400

This is a middle range voice for women, and acts as a replacement for altos in an opera

Mezzo-Soprano

500

This French composer developed a new form of opera called tragedie lyrique 

Jean-Baptiste Lully

500
Means "Sing-play"; the plot of the opera is told through folk music and dialogue 

Singspiel 

500

Musical themes associated with a specific character, place, or plot element 

Leitmotif 

500

This means that one note is the main idea, and the other notes are related to the main note

Tonal 

500

This is a short instrumental refrain or interlude that recurs throughout the opera

Ritornello 

500

This voice type is sung by a male trained to sing high notes

Counter-Tenor

600

The earliest complete opera that is still performed today 

L'Orfeo by Claudio Monteverdi 

600

This composer influenced German opera composers that came after him, as well as 20th century composers 

Carl Maria von Weber 

600

Operas that talked about the average person and problems facing them were called this

Verismo

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