Opera Composers
Opera Terminology
Opera Eras
Opera Voice Types
Miscellaneous
100

________________ is known for breaking down racial barriers in the Opera World, representing African-Americans in "Porgy and Bess." 

George Gershwin

100

___________________ is a passage, usually at the end of a musical number, in which singers perform a few improvised measures of vocally showy music to personalise their characters and show off their virtuosity.

cadenza

100

This era saw the first African-American representation in the Opera world, as well as the first time to see Jazz represented in the classical Opera world.

20th Century

100

The middle female singing voice often portray maternal figures, villainesses, or seductive anti-heroines. They also often assume ‘trouser roles’, characters meant to be men.

mezzo-soprano
100

What is the term used to describe a specific type of singing used by Rossini?

Bel Canto 

200

_______________ was known for his famous Opera works during the Classical period that focused on love, deception and class as he started adding societal and political commentary to his operas.

Wolfgang Amadeus Mozart

200

_______________ is a piece for one voice in an opera, i.e. a song for a solo singer

aria 
200

This era of opera was characterized by the use of harpsichord and lots of vocal ornmentation. Composers from this era include: Purcell and Peri

Baroque

200

The highest and most common female singing voice. Most often young romantic heroines of both comic and serious operas.

soprano

200

In what country was the first public opera house constructed?

Italy 

300

_________________ is a German opera composer known for his view of opera as "total art," controlling every aspect of the opera performance from music to costumes to set design.

Richard Wagner

300

_____________ are projections of the opera’s libretto – often in English translation – on a display just above the stage.

supertitles

300

This era of opera is known for its increase in chromatic harmony, the expansion of the orchestra, and "larger than life" style of singing

Romantic

300

The middle male singing voice, often portrays either the villain, the rival in love of the main character, or his best mate.

baritone

300

What subject matter was most popularly covered in Baroque operas?

Greek mythology

400

____________________ is known for his distinctly English style in Operas, composing the first English opera "Dido and Aeneas" 

Henry Purcell

400

__________________ is a style of vocal music that follows the rhythms and pitches of ordinary speech.

recitative

400

This era of opera focused on simplicity and narrative to create a compelling storyline, in contrast to the previous era that used lots of vocal embellishment

Classical

400

The lowest female voice, frequently embodying female villains or ‘trouser roles’, ie roles written for men with higher voices

contralto

400

Where did Richard Wagner derive his inspiration for the stories in his Ring Cycle opera?

Norse mythology

500

_______ is known for the first ever full and complete opera to survive the Baroque Era. 

Jacopo Peri

500

_________ means literally ‘little book’, the text sung in an opera or oratorio.

libretto

500

This era of opera is where all tonality was broken down and the concepts were very abstract

20th Century/Modern

500

The highest natural adult male singing voice in  18th and 19th-century opera, mostly playing the romantic leads

tenor

500

What is a light-hearted genre of opera, originating in the 18th century, which depicts everyday characters contending with the familiar challenges and foibles of life in an amusing way?

Opera Buffa

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