Elements of Art
b. The horizon line can be found at eye level but is not an actual place.
c. The horizon line is a place where the sun sets at dusk and rises at dawn.
d. The horizon line can always be found at ground level but its not an actual place.
a. White lightens other colors and makes them bolder.
b. White lightens other colors and makes them thicker.
c. White lightens other colors and adds to the opacity of a mixed color.
d. White lightens other colors and creates a translucent appearance to a mixed color.
b. When you deliberately change at least 35% of an image.
c. When you create another artwork using the same elements of another artwork.
d. When you borrow an image with the intent of commenting on the image's original meaning.
b. Mary Cassat, Winslow Homer, James Wheeler
c. William Johnson, Horace Pippin, Faith Ringgold
d. Jose Clements Orozco, Frida Kahlo, Diego Rivera
b. Artwork created without using reference material
c. Varieties of materials, media and surface used in art
d. specialized procedures or methods for producing artwork
a. It creates a state of unity that produces cohesion in a piece of art.
b. It creates a state of dominance that produces a hierarchy in a piece of art.
c. It creates a state of equalized tension that produces equilibrium in a piece of art.
d. It creates a state of similarity that produces a unique organizational structure in a work of art.
b. This is a method that organizes the final piece early in a lay out.
c. This process helps the artist darken the main element of a piece.
d. This approach allows an artist to save on the amount of media used to finish a work.
b. Architecture
c. Automotive
d. Culinary
b. Pollock, Raushenberg, Warhol
c. Cezanne, Matisse, Picasso
d. Degas, Monet, Renoir
b. Art depicting large objects like cars coming towards the viewer
c. Art depicting a group of objects that are away from the viewer
d. Art depicting large groups of people interacting with each other or the environment
b. Face
c. seesaw
d. wheel
b. Ink
c. Tempera
d. Watercolor
b. Synthesized pigments have allowed oil paint to be made safer for artists to use.
c. Over the years, color pigment has become harder to fins, resulting in a higher cost for paint.
d. Color pigments were easily found in the 1400s and therefore, were inexpensive to purchase.
b. It introduced analogous color schemes to modern painters.
c. It helped painters begin to address controversial topics.
d. It marked the return of geometric shapes to popular culture.
a. Brush strokes are colorful.
b. Brush strokes are very simple.
c. Brush strokes are blended out.
d. Brush strokes are clearly visible.
b. green, red, yellow-green
c. yellow-orange, violet, yellow-green
d. blue-green, yellow-green, blue violet
b. Drawing a baseline
c. Adding gesture
d. Adding value
b. Poster Art
c. Satirical Work
d. Plein Air Work
a. The Scream by Edvard Munch
b. Mona Lisa by Leonardo da Vinci
c. The Night Watch by Rembrandt van Rijn
d. Girl with a Pearl Earring by Johannes Vermeer
b. perspective that has 3 vanishing points on the horizon line
c. perspective that vanishes in two directions plus up or down
d. perspective that is on 3 different objects standing in a row
b. A cast shadow is one that appears on the objects and a shadow value is under the objects.
c. A cast shadow is lighter than a shadow value and it divides the light side of a piece from the dark side of a piece.
d. A cast shadow is created when an object blocks light and a shadow value is observed as the darkest values in areas of the work.
b. intaglio
c. photography
d. printmaking
b. It shows the world in a beautiful way and used as decoration, making people's lives more pleasant
c. It creates fashion trends and is used in advertising, making us interested in material goods.
d. It recruits supporters to action, depicting an injustice to the masses, reflecting the beliefs of the movement's organizers.
b. Artists were working with reference material and recounting moments in history that left a mark on the world.
c. Artists were working from their own emotional states, express their feelings using color stroke and intensity.
d. Artists were working from memory, painting a picture from their mind's eye after they saw something interesting.
b. Perspective occurs when the artist is looking over vast expanse but does not occur near the viewer.
c. Perspective is a method used where objects appear to move around the surface while foreshortening is very static and makes objects look shorter than they are.
d. Perspective shows how objects, such asbuildings and landscapes, appear to go back in space creating a sense of depth while foreshortening creates an illusion of depth by causing something to look shorter than it really is.