EXPOSURE TRIANGLE
CAMERAS & LIGHT
LENSES
UNRELATED
(OPEN AT YOUR OWN RISK)
USE YOUR BRAIN
250
THE SETTING THAT CHANGES YOUR DEPTH OF FIELD
APERTURE
250

WHERE THE APERTURE ITSELF IS ACTUALLY LOCATED

IN THE LENS

250
NAME A LENS WIDER THAN A 85MM LENS

ANYTHING LOWER THAN 85

250

FINISH THE LYRIC: WALK IN THE STREETS WITH YOU AND YOUR WORN OUT JEANS, ________________ ____________________ // LAUGHING ON A PARK BENCH THINKING TO MY SELF, ____________________

I CAN'T HELP THINKING THIS IS HOW IT OUGHT TO BE ... HEY, ISN'T THIS EASY?

250

TO TAKE A PICTURE OF A LANDSCAPE WITH DEEP FOCUS, I WOULD PROBABLY NEED TO SET MY __________ TO _________. (GIVE A NUMBER)

F-STOP OR APERTURE TO 22.

500
WHICH SHUTTER SPEED IS FASTER: 1/100 OR 1/50?

1/100

500

HOW CAN YOU TELL IF A LIGHT IS HARD OR SOFT?

THE QUALITY OF THE SHADOWS

500

IS AN 85MM LENS A PRIME LENS OR A ZOOM LENS?

PRIME

500

THE FULL TITLE OF STAR WARS EPISODE V

THE EMPIRE STRIKES BACK

500
WHEN PHOTOGRAPHING A SPORTING EVENT, THE MOST IMPORTANT SETTING TO KEEP IN MIND IS ________. THIS SETTING SHOULD BE SET TO _______. (GIVE A GENERAL CONCEPT, NOT A NUMBER).

SHUTTER SPEED, FAST.

750

IF I CHANGED MY F-STOP FROM 22 TO 1.8, WHAT TWO THINGS WOULD HAPPEN TO MY IMAGE?

THE IMAGE WOULD GET BRIGHTER AND THE DEPTH OF FIELD WOULD DECREASE

750

WHERE IS THE SWITCH FOR AUTOFOCUS / MANUAL FOCUS?

ON THE BARREL OF THE LENS

750

WHAT IS CONSIDERED A 'NORMAL' FOCAL LENGTH?

50MM

750
THE THREE ACTORS WHO PLAY SPIDER-MAN IN SPIDER-MAN: NO WAY HOME

TOBEY MAGUIRE, ANDREW GARFIELD, TOM HOLLAND.

750

YOU'RE USING A 35MM LENS. NAME A LENS YOU COULD SWITCH TO IF YOU NEED TO COMPRESS THE Z-AXIS.

ANYTHING HIGHER THAN 35

1000

IF I CHANGED MY SHUTTER SPEED FROM 1/10 TO 1/1000, WHAT TWO THINGS WOULD HAPPEN TO MY IMAGE?

THE IMAGE WOULD BECOME DARKER AND THE MOTION BLUR WOULD DECREASE.

1000

THE BIG SILVER STANDS WE TRAINED ON ARE CALLED:

C-STANDS

1000
WHAT IS THE FOCAL LENGTH OF THE FISHEYE LENS WE HAVE?

8MM

1000

TAYLOR SWIFT'S FIRST ALBUM

TAYLOR SWIFT (2006)

1000

NAME ALL THREE WAYS YOU COULD MAKE YOUR IMAGE BRIGHTER IN-CAMERA.

SLOWER SHUTTER SPEED, LOWER F-STOP, HIGHER ISO

1500

YOU HAVE A SHUTTER SPEED OF 1/100, AN ISO OF 800, AND AN F-STOP OF 1.8. THE IMAGE IS PROPERLY EXPOSED, BUT TOO BLURRY. EXPLAIN HOW YOU WOULD GET RID OF THE MOTION BLUR WHILE KEEPING PROPER EXPOSURE.

INCREASE BOTH SHUTTER SPEED (TO GET RID OF BLUR) AND ISO (TO INCREASE BRIGHTNESS AFTER SHUTTER SPEED INCREASE).

1500

WHICH TWO OF THESE CAMERAS DO WE NOT HAVE IN THE CLASSROOM? YOU MUST CORRECTLY ANSWER BOTH.

6D, 60D, 8D, 80D, 5D MARK III, 5D MARK IV, 50D

8D, 50D
1500

NAME ALL FOUR QUALITIES OF A WIDE LENS.

1. DISTORTION

2. EXPANDED Z-AXIS

3. LESS BACKGROUND BLUR / MORE DEPTH OF FIELD

4. WIDER FIELD OF VIEW

1500

THE FIVE ORIGINAL MEMBERS OF ONE DIRECTION

HARRY, LIAM, NIALL, LOUIS, ZAYN

1500

IF YOU PHOTOGRAPH SOMEONE AT AN EXPOSURE TIME OF 30" AND THEY WALK AROUND THE FRAME THE WHOLE TIME, WHAT WILL THE FINAL IMAGE LOOK LIKE?

YOU WON'T BE ABLE TO SEE THEM

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