Literary Devices
Storytelling Techniques
Literary Devices
Literary techniques
Other
100

A comparison using the word like or as

What is a similie?

100

told in 3rd person from an all-knowing perspective

3rd person omniscient point of view

100

The time and place where a story occurs. The setting can be specific (e.g., New York City in 1930) or ambiguous (e.g., a large urban city during economic hard times). Also refers directly to a description thereof.

Setting

100

A figurative comparison between two things to emphasize aspects of them

Metaphor
100

The “voice” of a poem; not to be confused with the poet him/herself. Analogous to the narrator in prose fiction.

Speaker

200

a phrase or assertion that appears to contradict itself

What is a Paradox?

200

told in 3rd person, but from one character's perspective

3rd person limited point of view

200

The use of specific objects or images to represent abstract ideas. This term is commonly misused, describing any and all representational relationships, which in fact are more often metaphorical than symbolic.

Symbolism

200

Where the meaning is intended to be the exact opposite of what the words actually mean. (Sarcasm is a tone of voice that often accompanies verbal irony, but they are not the same thing.)

Verbal Irony

200

The main idea or message conveyed by the piece. A theme is generally stated as a complete sentence; an idea expressed as a single word or fragmentary phrase is a motif.

Theme

300

placement of two things closely together to emphasize comparisons or contrasts

What is a juxtaposition
300

The identity of the narrative voice; the person or entity through whom the reader experiences the story. May be third-person (no narrator; omniscient or limited) or first-person (narrated by a character in the story who either merely observes or directly participates). Point-of-view is a commonly misused term; it does not refer to the author’s (or characters’) feelings, opinions, perspectives, biases, etc.

Point-of-view

300

here inanimate objects or abstract concepts are seemingly endowed with human self-awareness; where human thoughts, actions and perceptions are directly attributed to inanimate objects or abstract ideas

Personification

300

A contradiction in terms.

Oxymoron

400

Where future events in a story, or perhaps the outcome, are suggested by the author before they happen. Foreshadowing can take many forms and be accomplished in many ways, with varying degrees of subtlety. However, if the outcome is deliberately and explicitly revealed early in a story (such as by the use of a narrator or flashback structure), such information does not constitute foreshadowing.

Foreshadowing

400

The manner in which the various elements of a story are assembled.

Structure

400

Use of similar or identical language, structures, events, or ideas in different parts of a text.

Parallelism

400

a commonly used phrase that signifies something very different than its literal meaning

Idiom

500

A recurring idea or concept present in a literary work

What is a Motif?

500

the character's traits are implied and require an inference based on their actions, or words, or other characters reactions

Indirect characterization

500

near or oblique rhyme. words within or at the end of lines ALMOST rhyme

Slant Rhyme

500

A struggle between opposing forces which is the driving force of a story. The outcome of any story provides a resolution of the conflict(s); this is what keeps the reader reading. Conflicts can exist between individual characters, between groups of characters, between a character and society, etc., and can also be purely abstract (conflicting ideas)

Conflict

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