Burgundians
This Burgundian composer signed his name using a single notated note inspired by Guido's "hand"
Guillame Du Fay
these books used in the 15th c. were designed so that the entire choir did not have to sing out of the same book
Part Books
the name of the 5th voice added in Madrigal Phase 2
Quintus
The year in which the Reformation began
1517 AD
This cadence began with the Burgundians and would eventually lead to the V-I cadence
Octave Leap Cadence
First Generation Franco-Flemish composer known for expanding the range of the bassus voice
Ockeghem
this third phase composer is considered a bridge to the Baroque Period
Monteverdi
Luther believed the Scriptures and chants should be translated into this
Vernacular (German)
the names of each of the voices in 4-voice textures during the Burgundian style
Superius, contratenor altus, tenor, contratenor bassus
the kind of notation used by Franco-Flemish composers
White mensural notation
the movement that has to do with the text used for Madrigals and is associated with a composer that is also a 3rd Gen. Franco-Flemish composer
Petrarchan Movement
Luther nailed his 95 Theses to the door of the church in this German city
Wittenberg