Getting Artsy
What's in a Name
Let's Play a Game
Film and Media
Samurai
100

THIS ART GENRE, PRODUCED WITH WOODBLOCKS AND DEPICTING THE “FLOATING WORLD” OF PLEASURE AND COMMERCE, WAS EXTREMELY POPULAR DURING THE EDO PERIOD.

UKIYOE

100

THIS MAN IS CREDITED AS THE MOST POPULAR AUTHOR ON THE SUBJECT OF JAPANESE CULTURAL ESSENCE AND BUSHIDO.  

NITOBE INAZOU

100

THIS JAPANESE TRADITIONAL THEATER GENRE USES PUPPETS TO TELL POPULAR STORIES AND IS USUALLY ACCOMPANIED BY SHAMISEN MUSIC.

BUNRAKU

100

THIS AMERICAN FILM IS INSPIRED BY THE SATSUMA REBELLION AND STARS TOM CRUISE AND WATANABE KEN.

THE LAST SAMURAI

100

THIS “TIMELESS WAY OF THE WARRIOR” IS ACTUALLY A MODERN INVENTED TRADITION, BUT CONTINUES TO INFLUENCE PEOPLE’S UNDERSTANDING OF SAMURAI AND JAPAN.

BUSHIDO

200

THIS LITERARY AND ARTISTIC TECHNIQUE CREATES A “DOUBLE VISION” BETWEEN ILLUSTRATION AND THEATER THROUGH VISUAL ALLUSION.

MITATE

200

KNOWN AS “EYEBALLS MATSU,” THIS MAN WAS AN EXTREMELY POPULAR KABUKI AND SILENT FILM ACTOR WITH AN IMPRESSIVE REPERTOIRE OF STAGE TRICKS.

ONOE MATSUNOSUKE

200

AS OPPOSED TO THE “SOFT” AND RESTRAINED WAGOTO STYLE, THIS KABUKI STYLE IS “ROUGH” AND ANIMATED.

ARAGOTO

200

NAMED AFTER AN OKINAWAN STIR-FRY DISH, THIS TRANSCULTURAL ANIME (RE)MIXES TOGETHER IMAGES OF SAMURAI AND AFRICAN-AMERICAN HIPHOP.

SAMURAI CHAMPLOO

200

THIS JAPANESE TERM REFERS TO THE SAMURAI IDEAL OF DUTY OR SOCIAL OBLIGATION TO OTHERS, ESPECIALLY ONE’S SUPERIOR.

GIRI

300

THIS LITERARY GENRE IS KNOWN FOR ITS YELLOW COVER, SATIRICAL TONE, AND CONNECTION TO THE KABUKI THEATER WORLD.

KIBYOUSHI

300

THIS WOMAN INVENTED THE FIRST KABUKI TRADITION WHICH FEATURED AN ALL-WOMEN TROUPE, BUT LATER HER ARTFORM WAS BANNED FOR BEING TOO SEXY

OKUNI

300

THIS EPIC STORY ABOUT THE 47 RONINS’ VENDETTA WAS FIRST TOLD THROUGH PUPPET THEATER AND WAS LATER ADAPTED OVER AND OVER IN KABUKI AND KIBYOSHI.

CHUSHINGURA

300

THIS JAPANESE ANIME AND FILM DIRECTOR IS BEST KNOWN FOR DIRECTING THE ANIME CAMURAI CHAMPLOO.

WATANABE SHIN'ICHIROU

300

THIS GOVERNMENT TRADITION REQUIRED SAMURAI TO TRAVEL BACK AND FORTH BETWEEN THEIR HOME DOMAINS AND THE CAPITAL OF EDO.

ALTERNATE ATTENDANCE (SANKIN KOUTAI)

400

AN ARTISTIC GENRE RELATED TO UKIYOE, THESE MEIJI PERIOD WOODBLOCK PRINTS ARE STUNNING IN THEIR VIVID DEPICTION OF CONTEMPORARY WAR AND POLITICS.

NISHIKI E

400

THIS SAMURAI WAS ORIGINALLY A KEY FIGURE IN THE IMPERIAL MEIJI GOVERNMENT, BUT LATER WENT ON TO FOMENT A DESTRUCTIVE REBELLION WHICH LED TO HIS DEATH.

SAIGOU TAKAMORI

400

SOMETIMES CALLED THE “SHAKESPEARE OF JAPAN,” THIS MAN WROTE MORE THAN A HUNDRED POPULAR BUNRAKU AND KABUKI PLAYS.

CHIKAMATSU

400

THIS JAPANESE TERM REFERS TO THE PERFORMERS WHO PROVIDED THE NARRATION AND SOUNDTRACK, INSPIRED BY KABUKI AND NOH, FOR SILENT FILMS.

BENSHI
400

THIS JAPANESE TERM DESCRIBES A FEELING THAT CHALLENGES THE IDEAL OF SOCIAL OBLIGATION OR DUTY AND OFTEN LEADS A SAMURAI TO RUIN.

NINJOU


500

THIS MAN IS KNOWN AS THE LAST GREAT PAINTER OF THE JAPANESE PAINTING TRADITION. HIS UKIYOE PRINTS ARE ESPECIALLY VALUABLE.

UTAGAWA KUNIYOSHI

500

THIS CONTEMPORARY ARTIST COMBINES ELITE SAMURAI IDEALS AND LOWER-CLASS STREET CULTURE TO CREATE A “NEW JAPANESE” ART TRADITION

TENMYOUYA HISASHI

500

THESE KABUKI PERFORMERS WERE SAID TO PORTRAY FEMININITY AND BEAUTY EVEN BETTER THAN ACTUAL WOMEN.

ONNAGATA

500

THIS MAN RAN A KABUKI THEATER BEFORE HE BRANCHED OUT INTO DIRECTING FILMS, CREATING THE JAPANESE PERIOD FILM GENRE (JIDAI).

MAKINO SHOUZOU

500

THIS TERM REFERENCES TENMYOUYA HISASHI’S IDENTIFICATION WITH GRAND, UNCONVENTIONAL, AND EVEN COUNTERCULTURAL SAMURAI.

NEO SAMURAI


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