Ceramics Basics
Artists, Key People & Places
Art History, Genres and Eras
General Art Terms
Paper and Fibers
100

A basic pottery technique where a vessel is formed by hand, starting with a ball of clay and gradually pinching the walls to create the desired shape

Pinch Pot

100

A Surrealist poet who is considered the leader of the surrealist movement

Andre Breton

100

A three dimensional art form where artists shape or mold materials like clay, metal, or wood into tangible, 3D objects, representing figures, ideas or concepts

Sculptures

100

An element of art that is two-dimensional, flat or limited to height and width

Shape

100

A technique for making 3D Sculptures from pulped or pasted paper and binders such as glue or plaster.

Papier Mache

200

A liquid slurry of clay and water

Slip

200

A leading Belgian Surrealist painter who placed ordinary, everyday objects in strange, dreamlike, and thought-provoking contexts to challenge how people perceive reality. He often used doors, hats, masks and apples as common motifs in his art.

Rene Magritte

200

The Japanese art or process of folding squares or paper into representational shapes

Origami

200

When elements of art like line, color and shape are repeated within an artwork to achieve specific aesthetics.

Repetition

200

A textile art form where two sets of threads, warp and weft, are interlaced at right angles to create fabric or cloth

Weaving

300

A thermally insulated chamber or oven that uses electricity to heat materials for firing pottery, ceramics and other materials using precise temperature controls

Kiln (Electric)

300

A leading figure of the Surrealist art movement, his iconic painting of melting clocks, and his flamboyant, eccentric public persona is what he is best known for. 

Salvador Dali

300

A type of visual art that combines more than one medium, method or material

Mixed Media

300

The perceived surface quality of a work of art, through touch, visually or both

Texture

300

Materials made from fibers.

Textiles

400

A technique used in pottery to join two pieces of clay together by creating a rough surface on the edges to be attached, then applying a liquid clay slurry to promote adhesion

Scratch and Attach 

400

Swedish born American sculptor who is best known for his public art installations, typically featuring large replicas of everyday objects. Largely considered a “Pop- Artist” who commonly referenced food and other consumer items in his work.

Claes Oldenburg

400

Objects made from clay, like pots, bowls or vases and fired at a high temperature to become hardened.

Ceramics or Pottery

400

The use of differing visual elements like colors, shapes and textures to create contrast and interest within an artwork.

Variety

400

An apparatus for making fabric by weaving yarn or thread

Loom

500

An ancient pottery making technique that involves creating forms without a pottery wheel, using the hands, fingers and simple tools

Handbuilding

500

A famous psychiatrist who studied the unconscious mind.

Sigmund Freud

500

An art and literary movement that emphasizes the unconscious mind and dreams, often resulting in strange, illogical and dreamlike scenes.

Surrealism

500

Characterized by a reliance on mathematical shapes such as triangles, squares, circles and lines to organize space.

Geometric Shapes

500

Fold the top-right and top-left corners down diagonally so they meet at the center line, forming a triangular roof shape.

Hat Fold

600

The state where the clay has completely dried out and lost its moisture becoming extremely fragile and crumbly and ready for bisque firing

Bone Dry Stage

600

A Native American potter from Acoma Pueblo, New Mexico known for her black on white or “polychrome” decorative ceramics made using traditional techniques

Lucy Lewis

600

A unique pottery technique where strands of horse hair are applied to a hot, freshly fired pot, causing the hair to carbonize and leave a distinctive, random, dark pattern on the surface

Horse Hair Pottery

600

The use of concrete objects, colors, figures, or settings to represent abstract ideas or emotions.

Symbolism

600

The application of paper-folding principles, crease patterns, and geometry to design deployable or shape-shifting systems.

Compliant Mechanism

700

Unfired pottery that has been shaped but not yet fired in a kiln

Greenware

700

A young up and coming artist from the “Sky City” Pueblo community of Acoma who  uses traditional techniques including horse hair pottery as a fourth generation Acoma potter.

Eric Louis

700

An art movement from the 1950s and 1960s that referenced popular culture like advertising, comics, mass produced objects or celebrities, and challenged notions of traditional art-making.

Pop Art

700

A reoccurring element or theme, within an artwork or series of artworks, this can be conceptual (meaning) or visual.

Motif

700

Foundational geometric base origami fold, used to kickstart more complex models, most famously this traditional Japanese helmet

Samurai Fold

800

building pottery by rolling clay into long, rope-like coils and stacking them on top of each other to form the walls of a vessel

Coil method

800

A 1960s German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, plastics and other fibers which she used in a minimalist manner, to create abstract sprawling installations that paved the way for females in the sculpting and fiber art world

Eva Hesse

800

Artworks that adhere to established cultural, historical, or religious traditions, this includes styles and techniques that have been passed down through generations, usually tied to regions or cultural practices

Traditional Arts

800

The lengthwise threads that are stretched and held taut on a loom before the weft threads are interlaced to create fabric

Warp Thread

900

a handbuilding technique where flat, rolled-out clay pieces are cut and joined to create 3D forms

Slab Method

900

A village in New Mexico which has four communities inhabited by the Native American Pueblo tribe, it is unique in its location, sitting atop a 357 ft tall mesa-and age, being continuously occupied since 1150 AD by the Pueblo peoples.

Acoma or "Sky City"

900

Fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn.

Fiber Arts

900

The yarns that run horizontally or crosswise across the fabric, while the warp threads run vertically

Weft Thread

1000

A stage in the drying process where the clay is partially dried but still damp enough to be worked with

Leather Stage

1100

Pottery that has been undergone its first firing, resulting in a hard, porous, and unglazed state, ready for glazing or decorative applications

Bisqueware

1200

A stage of clay that has partially dried becoming stiff but still workable, allowing for trimming, carving, and adding details before it becomes too dry and brittle

Leather Hard Stage

1300

a colored slip-like paint made of clay and pigments that is applied to greenware or bisqueware to create designs

Underglaze

1400

A liquid mixture of powdered minerals that is applied to a ceramic piece and fired to create a glassy, protective and decorative coating.

Glaze

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