The main noun of the sentence
SUBJECT
PUNCTUATION THAT SEPARATES TWO INDEPENDENT CLAUSES THAT ARE CLOSELY RELATED
SEMICOLON
MAIN IDEA OR LESSON IN THE STORY; LIFE LESSON LEARNED
THEME
THE STRUCTURE OF A STORY; CONSISTS OF RISING ACTION, CLIMAX, AND FALLING ACTION.
PLOT
THE MOST INTENSE PART OF THE STORY
CLIMAX
ACTION WORD THAT CHANGES DEPENDING ON THE TIME IN WHICH IT OCCURS (PRESENT, PAST, FUTURE)
VERB
A PHRASE THAT IS MISSING SUBJECT OR VERB OR IS NOT A COMPLETE THOUGHT
FRAGMENT
NARRATOR IS A CHARACTER IN THE STORY
1ST PERSON
PART OF THE STORY WHERE CHARACTERS AND CONFLICTS ARE INTRODUCED
EXPOSITION
THE CONFLICT IS BEGINNING TO BE RESOLVED.
FALLING ACTION
WORDS THAT STAND IN FOR NOUNS (HE, SHE, IT, THEY, WE, HIM, HER)
PRONOUNS
A SENTENCE THAT CONTAINS A SUBJECT, A VERB, AND A COMPLETE THOUGHT.
SIMPLE SENTENCE
NARRATOR IS NOT A CHARACTER IN THE STORY; GETS INTO THE MIND OF NO CHARACTERS
3RD PERSON OBJECTIVE
THE CONFLICT BECOMES MORE COMPLICATED AND CREATES SUSPENSE.
RISING ACTION
THE CONCLUSION, THE END, WHERE THE LOOSE ENDS ARE TIED UP.
RESOLUTION
THE NOUN THAT A PRONOUN REFERS TO
(JORDAN IS A MARVELOUS SINGER AND HE PRACTICES EVERY DAY) HE = JORDAN
ANTECEDENT
TWO INDEPENDENT CLAUSES JOINED TOGETHER BY A COMMA AND COORDINATING CONJUNCTION (FANBOYS)
COMPOUND SENTENCE
NARRATOR IS NOT A CHARACTER IN THE STORY; GETS THE READER INTO THE MIND OF ONE CHARACTER
3RD PERSON LIMITED
A CONFLICT IS INSIDE THE CHARACTER'S MIND
INTERNAL CONFLICT
WHEN THE AUTHOR GIVES A HINT ABOUT WHAT IS COMING LATER IN THE STORY.
FORESHADOWING
A WORD THAT BEGINS THE DEPENDENT CLAUSE IN A COMPLEX SENTENCE AAAWWUUBBIS WORD
SUBORDINATING CONJUNCTIONS
WORD THAT CONNECTS TWO INDEPENDENT CLAUSES ALONG WITH A COMMA TO CREATE A COMPOUND SENTENCE (FANBOYS)
COORDINATING CONJUNCTIONS
NARRATOR IS NOT A CHARACTER IN THE STORY; GETS US INTO THE MINDS OF MANY CHARACTERS
3RD PERSON OMNISCIENT
A CONFLICT THAT HAPPENS BETWEEN CHARACTER AND SOME/SOMETHING ELSE.
EXTERNAL CONFLICT
INTERRUPTING THE PRESENT ACTION TO DESCRIBE EVENTS FROM THE PAST.
FLASHBACK