Parts of a Story
Characterization
Literary Elements
Writing Techniques
CONFLICT
100

 the end of a story, everyone lives happily ever after

CONCLUSION

100

the main character in a story

PROTAGONIST

100

hints or clues of what will happen later. 

FORESHADOWING

100

the implied meaning of a word. Ex. “home” & “house”

CONNOTATION

100

an external struggle where two or more characters have opposing goals, desires, or beliefs

Character vs Character conflict 

200

 when characters speak

DIALOGUE

200

a character that stays the same


STATIC CHARACTER

200

The difference between what is expected to happen and what actually happens

SITUATIONAL IRONY
200

 the exact or dictionary definition of a word.

DENOTATION

200

an external literary conflict where a main character faces resistance, danger, or a direct struggle against natural forces

CHARACTER VS NATURE

300

the high point of a story, most intense point

CLIMAX

300

a minor character who doesn’t grow or change

FLAT CHARACTER

300

When the audience is more aware of what is happening than a character.

DRAMATIC IRONY
300

Ernest Hemingway said as long as the author knows everything about the story he/she just needs to provide the facts—those hard facts are the tip of the iceberg floating above water.

ICEBERG THEORY OF WRITING

300

an external literary conflict where a single protagonist fights against unfair laws, traditions, or expectations

CHARACTER VS SOCIETY

400

the main struggle in a story – there are 4 types: 1.Character vs Character  2. Character vs. Nature 3. Character vs. Society   4. Character vs. Themselves

CONFLICT

400

 a character who contrasts with another character, usually the protagonist, and in doing so, highlights main facets of the main character’s personality.

FOIL CHARACTER

400

there are magical elements in the real world. 

MAGIC REALISM

400

we only know what one character is thinking

3RD PERSON LIMITED

400

an internal struggle that happens entirely inside a protagonist's mind

CHARACTER VS THEMSELVES
500

 a way of mapping what happens in a story (introduction, rising action, climax, falling action, conclusion)


PLOT GRAPH

500

directly tells the audience/reader what the personality of the character is.


DIRECT CHARACTERIZATION 

500

the repetition of initial letters or sounds 

ALLITERATION

500

we don’t know what any characters are thinking, the writing only describes what is happening

3RD PERSON OBJECTIVE

500

the series of conflicts that lead to the climax


RISING ACTION

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