Hitchcock
Not Hitchcock
Historical Tidbits
Theoretical
Iconic Moments
100

Several alternate endings were considered for this film, including one that would have shown the Golden Gate Bridge completely covered by ravens

The Birds

100

In Blow Out, Brian De Palma uses split screens and this other technique to shatter the immersive illusion of cinema

Split diopter

100

This is the name for the purging of alleged homosexuals from their government jobs during the Cold War

The Lavender Scare

100

This is a branch of film theory concerned with signs, signifiers, signifieds, and referents

Semiotics

100

A visit to Club Silencio

Mulholland Drive

200

This was the second of three adaptations that Hitchcock made of stories by Daphne du Maurier, the first being Jamaica Inn and the last being The Birds

Rebecca

200

This film was shot during the Cuban Missile Crisis, so the actors infused their performances with even more humor than was necessary to lessen the tension on set

Charade

200

The therapeutic model of mental health care in the 1940s favored this school of clinical psychology

Psychoanalysis

200

Robert Burks frequently collaborated with Hitchcock in this role, whom Koszarski claims in “The Men with the Movie Cameras” is the real auteur of any film

Cinematographer

200

Doris Day never stops singing

The Man Who Knew Too Much

300

The violins in the most iconic scene of this Hitchcock film later inspired the musical score for Jaws

Psycho

300

The screenplay for what became this movie originally started as a spinoff of the director’s famous television series, with supporting character Audrey Horne as the lead

Mulholland Drive

300

The United Nations is comprised of the General Assembly and this other body, which consists of ten rotating members and five permanent members

The Security Council

300

Jennifer Lynn Stoever argues that the widespread availability of audiovisual recording technologies in the 1980s ushered in this new stage of Baudrillardian anxiety

The culture of the copy

300

Strangers meet and flirt on a train, but it’s not the movie you think

North by Northwest

400

Second cameraman Irmin Roberts invented the now-famous “trombone shot” for this Hitchcock movie to convey a sense of dizziness—quite a feat considering that he was uncredited when the movie was released

Vertigo

400

Throughout multiple vignettes that take place in various global locales, Death conquers all in this silent narrative film by Fritz Lang

Destiny

400

This former Big 5 production studio has survived and thrived since 1912, when it was founded by producer Adoph Zukor, and has given us such major American pictures as The Godfather, Friday the 13th, and, most relevantly for us, Vertigo

Paramount

400

Montages of monuments and destinations, hectic street life, and Americans interacting with a foreign mise-en-scéne all provide the narrative logic to this kind of gaze that we see most clearly in The Man Who Knew Too Much

The tourist gaze

400

A risqué game involving an orange

Charade

500

Hitchcock gave actress Georgine Darcy complete freedom to choreograph her own dance moves for this film, with the only restriction being a ban on taking professional dance lessons so she would maintain the imprecision of an amateur ballerina

Rear Window

500

She directed the short silent film “The Consequences of Feminism,” a parody of what will happen to the world if those pesky women get any power

Alice Guy Blaché

500

This tactic of domestic containment mandated that women must excite men’s sexual appetites without satisfying them—a line that the directors during Code-era Hollywood were especially good at walking

Sexual brinksmanship

500

In “Directors are Dead,” Alfred Hitchcock argues that this hybrid figure is the ultimate ideal for making great films

The writer-producer

500

Hitchcock teams up with a master surrealist

Spellbound

M
e
n
u