1970s Soft Rock
1980s Band
Eagles Songs
Love Songs of the 80s and 70s
Rock N' Roll Songs of the 80's
300

song written and recorded by Seals and Crofts. Released in 1972, it reached No. 6 on the Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time"

Summer Breeze

300

is a song by American new wave band Wall of Voodoo. Produced by Richard Mazda, the track was initially released on their 1982 album Call of the West and was released as a single in early 1983. With regular airplay on MTV in their native United States

Mexican Radio

300

is a song by the American rock band Eagles, written by Jackson Browne and Eagles band member Glenn Frey, who also provides lead vocals. It was the band's first single, released on May 1, 1972. It peaked at No. 12 on the July 22, 1972, Billboard Hot 100 chart. It also was the opening track on the band's debut album Eagles and it has become one of their signature songs, included on all of their live and compilation albums.  It is listed as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

Take It Easy

300

)" is a song by the British new wave band Culture Club, released as a stand-alone single in most of the world and as the second single from their debut album Kissing to Be Clever in North America. Following on the heels of the band's global #1 hit, "Do You Really Want to Hurt Me", "Time (Clock of the Heart)" peaked at #3 on the UK Singles Chart, selling over 500,000 copies in the UK. In the United States, the song matched the #2 peak of its predecessor on the Billboard Hot 100, kept from the #1 spot by "Flashdance... What a Feeling" by Irene Cara for two weeks.

Time (Clock of a Heart)

300

is a song by the British new wave band Modern English. The song, produced by Hugh Jones, was the second single from their 1982 album After the Snow. It became the band's most successful single, largely in the United States, where it was featured in the film Valley Girl and on MTV. It reached number seven on Billboard's Mainstream Rock chart in 1983 and a re-release reached number 76 on its Hot 100 chart in 1990 (after reaching number 78 in 1983). 

I Melt with You

375

is a song written by Don Henley and Glenn Frey and recorded by the American rock band Eagles. The title track from their One of These Nights album, the song became their second single to top the Billboard Hot 100 chart after "Best of My Love" and also helped propel the album to number one. The single version was shortened from the album version of the song, removing most of the song's intro and most of its fade-out, as well.  Henley is lead vocalist on the verses, while Randy Meisner sings high harmony (not lead) on the refrain. The song features a guitar solo by Don Felder that is "composed of blues-based licks and sustained string bends using an unusually meaty distortion tone."

One of these Nights

375

is a song written and recorded by English band Kajagoogoo, released in 1983

Too Shy

375

is a song written by Don Henley and Bernie Leadon, and recorded by the American rock band Eagles. Released as the second single from the band's debut album Eagles, it reached No. 9 on the Billboard pop singles chart

Witchy Woman

375

"Sailing" is a 1980 soft rock song written and recorded by American artist Christopher Cross. It was released in June 1980 as the second single from his eponymous debut album (1979). The song was a success in the United States, reaching number one on the Billboard Hot 100 chart on August 30, 1980

Sailing

375

 is a song by English band the Vapors, from their 1980 album New Clear Days. It was an international hit, becoming the song for which the Vapors are best known. 

The lyric describes the narrator being separated from a woman he loves and thus preoccupied with photos of her.  The song prominently features an Oriental riff played on guitar. 

Turning Japanese

500

is a song written by Parker McGee and was a hit by England Dan & John Ford Coley from their 1976 album Nights Are Forever.

I'd Really Love To See You Tonight

500

song by British ska and pop band Madness. It was released as the lead single from their fourth studio album, The Rise & Fall, on 12 November 1982.

Our House

500

is a song written by Don Henley, Glenn Frey, Bob Seger and J. D. Souther, recorded by the Eagles and features Glenn Frey on lead vocals. The track was included on their album The Long Run and released as a single in 1979. It reached No. 1 on the U.S. Billboard Hot 100 in November of that year and was certified Gold by the Recording Industry Association of America representing one million copies sold.  It was the Eagles' final chart-topping song on the Hot 100.

Heartache Tonight

500

is a single by Earth, Wind & Fire released in 1979 on ARC/Columbia Records.

After the Love Has Gone

500

is a power ballad performed by the American rock band REO Speedwagon. The single remained at the top of the Billboard Hot 100 chart for three consecutive weeks from March 9 to March 23, 1985.

Can't Fight This Feeling

550

is a 1978 song by American rock band Ambrosia. The song, written by the band's guitarist/vocalist David Pack, was released in the summer of 1978 as the lead single from their third album, Life Beyond L.A., peaking at position three on the Billboard Hot 100 chart

How Much I Feel

550

is a song by English pop rock band Tears for Fears. It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. The song was first released on 18 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the band's second album, Songs from the Big Chair (1985). "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.

Everybody Wants To Rule the World

550

a song by the Eagles from their fourth album One of These Nights from which it was issued as the third single on November 15, 1975. It reached No. 4 on the U.S. Billboard Hot 100 and was also the Eagles' greatest success to that point in the UK, going to No. 12 on the charts. Billboard ranked it as the No. 25 song for 1976.

Take It To the Limit

550

a 1976 song by Henry Gross.  It became an international hit, reaching #6 on the U.S. Billboard Hot 100 and #5 on the Cash Box Top 100. Although it was a much smaller hit in the UK and Australia, the song reached #1 in Canada and New Zealand.

Shannon

550

is a song by English new wave band The Fixx, from their album Reach the Beach. It is the band's most successful single, reaching number four on the US Billboard Hot 100 in November 1983. It also peaked at number two on the Billboard Rock Top Tracks chart and became a number-one hit in Canada. Vocalist Cy Curnin has described the song as an indictment of dishonest politicians.

One Thing Leads to Another

725

is a song written and recorded by British-born American singer Rupert Holmes for his album Partners in Crime. As the lead single for the album, the pop song was recommended by Billboard for radio broadcasters on September 29, 1979

Escape (The Piña Colada Song)

725

the first single released by English progressive rock supergroup Asia from their 1982 eponymous debut album. It reached #4 in both the Canadian Singles chart and on the Billboard Hot 100 chart. It was written by singer and bass guitarist John Wetton and keyboardist Geoff Downes.

Heat of the Moment

725

is a song written by Don Henley and Glenn Frey and recorded by the Eagles. The sound of the song is viewed as a tribute to the Stax / Memphis rhythm and blues sound.

The Long Run

725

is a song recorded by the American rock band Toto in 1981, for their fourth studio album Toto IV, and released as the album's third single on September 30, 1982, through Columbia Records. The song was written by band members David Paich and Jeff Porcaro.

Africa

725

is a song by English new wave band A Flock of Seagulls. It was released in 1982 as their third single and it was the second single from their self-titled debut album. It topped the chart in Australia, and reached numbers seven and nine in New Zealand and the United States respectively, although the single did not enjoy similar success in the band's home country (United Kingdom), failing to make the top 40.

I Ran So Far Away

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