Musical Terms
Women in Saxophone
Saxophone Gatherings
Saxophone Specifics
Theory, theoretically.
100

Gradually increase in speed.

Accelerando

100

She wrote Tableaux de Provence and was married to composer Pierre Lantier.

Paule Maurice

100

This biennial conference will take place at Ohio State Univeristy in March 2026.

NASA

100

This mechanism allows you to play notes on the lower stack of the saxophone while still holding G#, or any left-hand table key. Clarinets do not have this ability.

Articulated G#

100

This suspension consists of a fourth scale degree taking the place of the major or minor third in the chord. This then resolves downward to the third of the chord.

4/3 suspension

200

Gradually decrease in speed.

Ritardando

200

She wrote Sonate en Ut#. This piece has both a viola and alto saxophone version.

Fernande Decruck

200

This saxophone conference takes place in Fairfax, VA every January. 

Navy Band International Saxophone Symposium
200

This is the measurement of the length on a saxophone mouthpiece where the reed comes away from the table.

Facing length/curve

200

The D minor pentatonic is made up of these tones.

D, F, A, G, C

300

Attack at once, begin immediately. 

attacca

300

She wrote Brillance and taught composition at the Paris Conservatory.

Ida Gotkovsky

300

This camp happens every year and alternates between Iowa City, Hartford, and Ann Arbor. It features some of the biggest names in American Saxophone 

American Saxophone Academy

300

An alloy that consists primarily of copper and zinc. It is used to make saxophones and other instruments. 

Brass

300

This augmented 6th chord consists of scale degrees 1, 2, #4, and b6.

French Augmented 6th
400

A brief, unmetered pause or silence.

Caesura

400

She wrote Tourmaline for solo soprano and electronics as well as Tides for saxophone quartet and fixed media.

Alexandra Gardner

400

This French saxophone camp is hosted in Gap, France each summer and is led by Claude Delangle.

European University of Saxophone

400

One of the last notes to be added to the saxophone. This key is still missing on most student line instruments.

High F#

400

This is a major chord built on a lowered second scale degree in first inversion. It most often functions as a predominant chord in traditional part writing.

Neapolitan Sixth chord

500

Heavy and ponderous, weighty.

pesante

500

She writes music for unaccompanied saxophone and mixed instrumentation. Some pieces include Big Talk and Mo'Ingus.

Shelley Washington

500

This Mid-western saxophone workshop is regularly taught by Steven Page, Chris Creviston, and Sarah Hetrick.

The Great Plains Saxophone Workshop

500

Most, if not all, wind instruments fall into one of two bore shapes. The saxophone utilizes this one.

Conical bore

500

This secondary dominant sounds like a major chord built on the second scale degree. It normally functions as a predominant chord. 

V7/V

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