Hamilton
Opera Origin
Amadeus
Monteverdi
Orpheus and Eurydice
100

This creator wrote, composed, and starred in Hamilton.

Lin-Manuel Miranda

100

This Italian city is where European opera originated in the late 16th century.

Florence

100

This city became Mozart’s base after leaving his court position.

Vienna

100

This composer wrote L’Orfeo, the earliest opera still regularly performed today.

Claudio Monteverdi

100

This character dies and motivates Orpheus’s journey to the Underworld.

Eurydice

200

This recurring musical idea helps track how characters develop throughout the show.

Motif / Leitmotif

200

This group of thinkers believed modern art was corrupted and looked to ancient Greece for solutions.

Florentine Camerata

200

Unlike most composers of his time, Mozart attempted to work as this type of musician.

A freelance composer

200

This myth was chosen by Monteverdi because it centers on the power of music.

Orpheus and Eurydice

200

Orpheus is able to persuade others because of this ability

His music / singing

300

This character is associated with the “Wait for It” motif

Aaron Burr

300

This scholar argued that ancient Greek drama was sung rather than spoken.

Girolamo Mei

300

Mozart earned money through this combination of activities

Teaching, composing, performing, commissions

300

Monteverdi’s opera was originally written for this type of audience.

Courtly / aristocratic audiences

300

This is the condition Orpheus must follow to save Eurydice

He must not look back

400

This is Hamilton’s contrasting approach to Burr’s “Wait for It.”

Not throwing away his shot / acting immediately

400

This speech-like singing style was developed to clearly communicate text in early opera.

Recitative

400

This film dramatizes Mozart’s life but exaggerates rivalry for storytelling effect.

Amadeus

400

Monteverdi balanced recitative by adding this to keep the opera musically interesting.

Songs, choruses, arias / musical variety

400

This character ferries souls across the River Styx.

Caronte / Charon

500

In Hamilton, music adds hidden meaning and shapes how we understand this aspect of the story.

Characters / emotions / relationships

500

This accompaniment style provided harmonic support without overpowering the singer.

Basso continuo

500

The movie helps show opera as this type of public entertainment.

Commercial / popular entertainment

500

This Venetian context helped opera survive and become popular entertainment.

Public opera culture in Venice

500

The myth is especially suited for opera because it is about this concept.

The emotional power of music

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