Sound
Elements of Design
Theatre etiquette
Lights
Props
100

The loudness of the sound

Intensity

100

A mark that connects two points

Line

100
Theatre alternative to "good luck"

Break a Leg

100

Responsible for making sure you can SEE that actors

Lighting designer

100

Person in charge of props

Props Master

200

Rate in measured cycles per second at which an object vibrates

Frequency

200
Any line that encloses a space creates _____

shape

200

When audience should arrive to a show

Early enough to be seated before the lights dim

200

A thin metal template for projection of a shadow pattern of light.

GOBO

200

Any prop that is consumed/destroyed/manipulated in some way during a single performance

Perishables

300

As frequency increases the pitch ________

Increases

300

Textures that absorb light

Wools, flannels, Velour

300

Never be openly _____

critical

300

Flexible plastic or glass used to change light color

GEL

300

Objects that are only referred to by character dialogue, but do not physically exist on stage

Implied props

400

Used to measure intensity

Decibels

400

What creates a feeling of depth in scenic elements

Mass

400

Why you shouldn't borrow another actors makeup

Infections/acne

400

Never do this to a lamp when testing it

Touch it with bare hands/look directly at it

400

Objects that break on cue, such as chairs, glass, bricks, bottles

Breakaway props

500

The distinctive quality of a sound that makes one voice sound different from another

Timbre

500

The boldest lines in costume

Those that outline the silhouette

500

Always report damage to these things before you leave the theatre

Props/Costumes

500

Technique that combines top lighting and side lighting with color to create a neutral tone

McCandelles Method

500

Props that an actor uses to develop his or her character

Personal props

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