Mise en Scene
Narrative Conventions
Major Concepts
Texts We Have Studied
Rhetorical Appeals
100

Close up, long and cowboy

Shot proxemics

100

What they say and do, how they look, narratorial comment and other characters' comments + setting and symbolism

Characterisation

100

Texts are not mirrors of the real world; they are constructions

Representation

100

“I guess you could call it a 'failure', but I prefer the term "learning experience"

Mark Watney, protagonist of 'The Martian' by Andy Weir (2011)?

100

"Act now! Look around you. The time is now!"

Kairos - Appeal to reasoning as to the currency and relevance to the context of situation. Greek for 'right time'. 

200

Extreme birds eye view, low and high

Angle

200

Temporal and spatial

Setting

200

The nature of the implied speakers in a text

Voice

200

"Watching you do all [this] on my behalf set me up to become someone who isn't afraid to demand what she deserves. To call out injustice where she sees it." 

Olivia Muscat to her mother in her memoir 'Selected Epistles', published in Growing Up Disabled in Australia (2021) by Carly Findlay (ed).

200

"This silky-smooth formula has been backed by dermatologists."

Ethos - Appeal to a belief in credibility or authority. Greek for 'custom' or 'character'. 

300

Horizontal, vertical, triangular

Composition 

300

The emotional resonance of the language selected

Tone

300

Broad categories based on form/structure or content/subject

Genre

300

“I wanted to be part of the world but I didn’t see anyone like me in it.”

Jimmy LeBrecht, co-producer and self-reflexive subject in Crip Camp, documentary (2020)

300

"We have not only the fingerprints, the lack of an alibi, a clear motive, and an expressed desire to commit the robbery, but we also have video of the suspect breaking in. The case could not be more open and shut."

Logos - Appeal to reason through data, statistics and 'common sense'. Greek for 'reason', 'principle' or 'logic'.

400

Natural, high key, backlit

Lighting

400

A repeated object, quote, gesture, action 

Motif

400

World view; shared beliefs and practices; ways of thinking

Ideology

400

"Thirteen me panic body don't go outside go home go to bed. Every time cross the road speak in class. Heart racing no breath. Everyone see me too much stop stop." 

Patrick Gunasekera, neurodivergent stream of consciousness memoir 'Chlorophyll Like Pink', published in Growing Up Disabled in Australia (2021) by Carly Findlay (ed).

400

"If you love me, you’ll keep me safe by buying me a new phone, so that it never fails me if I am in trouble or frightened." 

Pathos - Appeal to the heart, passion and gut - using emotively-charged examples and highly connotative language. Greek for suffering or experience

500

Full front, quarter turn, profile

Staging positions
500

The entire story is framed through this lens

Narrative point of view

500

A position from which something can be viewed and considered

Perspective

500

"Good heavens, something’s wriggling out of the shadow like a grey snake. Now it’s another one, and another. They look like tentacles to me....It’s large, large as a bear and it glistens like wet leather...The eyes are black and gleam like a serpent. The mouth is V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate." 

Carl Phillips, journalist, character in Orson Welles' radio play 'War of the Worlds' (1938). Adapted from H.G. Wells novel of the same name (1897). 

500

This philosophical concept considers all living beings as part of a whole that works together for some universal purposes. Everything in the world has its own purpose or goal, and these goals are linked to each other: all things in nature are interdependent.

Telos - appeal to a goal or aim. Greek for a purpose, end or true final function.

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