Playing Technique/ Sound
Parts
History
Technical Terms
100

Played in a seated posture with the instrument resting across the lap.

Saraswati Veena

100

The long tubular body of a Rudra Veena

Dandi

100

A traditional harp-like instrument that was the predecessor of the Veena

The Yazh

100

Used on the Vichitra Veena, this involves continuous pitch movement without discrete note separation

Meend

200

Requires sliding technique similar to a fretless instrument.

Vichitra Veena

200

The resonating bowl of the Saraswati Veena is called this

Kudam

200

The Veena was first mentioned in this

Rigveda

200

This technique on the Saraswati Veena involves pulling the string sideways across a fret to create oscillation. This technique refers to the ornamentation, shakes or slides applied to notes in Indian classical music.

Gamaka

300

Traditionally played using metal finger picks

Rudra Veena

300

The number of frets in a Vichitra Veena

Zero
300

According to Hindu mythology, the invention of the Veena is credited to _____

Sage Narada

300

This slow introduction that is free of rhythm is central to the Rudra Veena tradition

Alap

400

Known for producing deep, meditative tones suitable for Dhrupad music.

Rudra Veena

400

The ornamental dragon-like carving at the end of the tuning box in a Saraswati Veena is called this

Yali

400

The Thanjavur Veena was the first musical instrument in India to receive a _____ (a sign used on products belonging to a specific origin).

GI Tag

400

This technique stops the sound of a string immediately after it is played

Damping/ Muting

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